black
grey
blue
red
brown
white

There is something about being a director where, for me personally, I get to . . . it’s the closest I’ll ever come to being able to be a stand up.

Barry Sonnenfeld

Michael Jackson wanted to be in Men in Black II. He told me he had seen the first Men in Black in Paris and had stayed behind and sat there and wept.
BARRY SONNENFELD

Black Celebrity Country Men Musician Popular Singer Told
There is something about being a director where, for me personally, I get to . . . it’s the closest I’ll ever come to being able to be a stand up.
BARRY SONNENFELD

Director Laughing People Personality
By definition a sequel can’t be original. So you’ve got to figure out what worked the first time around.
BARRY SONNENFELD

Definitions Figure Firsts Skating
These movies are like my kids. I just love them to death. Some of them go to Harvard and some of them can barely graduate high school.
BARRY SONNENFELD

Barely Graduate Kid Movie School Some
The weird thing is that I hate to fly, and the quote that I give people is that every time I get off a plane, I view it as a failed suicide attempt.
BARRY SONNENFELD

Attempt Hate Suicide Views
We should all relax about life because you don’t have a clue as to what’s really going on.
BARRY SONNENFELD

Clue Going Life Relax
Michael worked one day. Everybody was a little freaked out and nervous because he’s a really big star. We were already working with really big stars, but Michael is Michael.
BARRY SONNENFELD

Day Little One Stars
The first cut I do is usually between five and 10 minutes shorter then the cut that we release.
BARRY SONNENFELD

Cutting Directors Thinking
It felt scary because there was no auditioning, no rehearsing.
BARRY SONNENFELD

Rehearsing Scar Scary
And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.
BARRY SONNENFELD

Cameramen Director Feeling Succeed
And then through editing, and finishing the effects and adding music, you get to make the movie better again. So I’m really hard on myself and on the movie.
BARRY SONNENFELD

Add Finish Movie Music Myself
I don’t believe in leaving a scene in because it was really hard to shoot, or because it’s the reason you took the movie, or because you always wanted to work with an actor . . . If it’s not making the movie work, get rid of it.
BARRY SONNENFELD

Actors Believe Leave Leaving Scene
They want to let the audience figure things out and let the reaction shot get the laugh.
BARRY SONNENFELD

Figure Laughing Skating Want
When you’re done shooting, the movie that you’re going to release when you’re done shooting is as bad as it will ever be.
BARRY SONNENFELD

Done Editing Finishing Release Shoot
Anything I think isn’t working or might not work, I don’t even put it in the director’s cut. And usually it’s the studio suggesting I put stuff back in, as opposed to studios saying, “You got to lose 40 minutes,” they are always saying, “You’ve got to gain five minutes.”
BARRY SONNENFELD

might Oppose Studious Stuff Suggest Work
When I move from being a cameraman to being a director I looked at a lot of other cameramen who tried to make the move. And in each case they moved up their camera operator to be the DP, which really meant they didn’t want to give up being the DP, and really wanted to do both.
BARRY SONNENFELD

Cameramen Director Giving Make Move Moving Safety

There is something about being a director where, for me personally, I get to . . . it’s the closest I’ll ever come to being able to be a stand up.

Related Topics

Popular Authors

There is something about being a director where, for me personally, I get to . . . it’s the closest I’ll ever come to being able to be a stand up.

Related Topics

Popular Authors

More Barry Sonnenfeld Quotes