The alcohol had the code and mystery about it as a writer’s drug, but I’m glad that’s been debunked. But the trouble with the drinking, much as I hate to admit it, is it helped the work.
BARRY HANNAHMost novels I come across have all the excitement of a long trip on a bus with a sensitive glee club. Yammer and chat.
More Barry Hannah Quotes
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If you are able to explain suffering, a man once told him, you weren’t really there.
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I hate to be fatalistic about it, but alcoholism, it’s just in your genes. We had some of it in my family, and it just got me.
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I wake my wife up at 3 a.m. and say, “Listen to this!”
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I don’t really believe in a creative-writing major as an undergraduate. It’s a bad idea, terrible. I’ve met creative-writing majors from other places and they don’t know a goddamn thing. They’re the worst students. They just think they’re good because they could pass.
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I’ll tell you why I like writing: it’s just jumping into a pool. I get myself into a kind of trance. I engage the world, but it’s also wonderful to just escape. I try to find the purities out of the confusion. It’s pretty old-fashioned, but it’s fun.
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I grew up when people seemed actually to be hurting themselves for their art. Of course, some of it was phony.
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Literature is the history of the soul.
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I lost my second marriage because of drinking, and I loved the woman very much. But I thought I needed booze to write. I’m glad I was disabused.
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When you’re not involved, other people’s unhappiness seems to be about the funniest damn thing on earth because you think you can solve it, that you are God, that you are above this, and that their unhappiness is just such useless toil and agony. If it’s you, it ceases to be a comedy.
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I don’t really care about plot; I want to have a page-turner in a different kind of way.
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I do believe that as you write more and age, the arrogance and most of the vanity goes. Or it is a vanity met with vast gratitude, that you were hit by something as you stood in the way of it, that anybody is listening.
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My stories do have plot. They’re not just scattered language; they’re controlled, toward an end.
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Time is what makes good stories. Much has been cooking for a long time, and at last finds an out in narration one day. That’s a supreme joy. And why the characters keep showing up.
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The Deep South might be wretched, but it can howl.
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Voice comes to you through a spell, a trance. The best voices are not you… they’re a little away from you.
BARRY HANNAH