And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.
BARRY SONNENFELDAnd my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.
BARRY SONNENFELDThe weird thing is that I hate to fly, and the quote that I give people is that every time I get off a plane, I view it as a failed suicide attempt.
BARRY SONNENFELDWe should all relax about life because you don’t have a clue as to what’s really going on.
BARRY SONNENFELDWhen I move from being a cameraman to being a director I looked at a lot of other cameramen who tried to make the move. And in each case they moved up their camera operator to be the DP, which really meant they didn’t want to give up being the DP, and really wanted to do both.
BARRY SONNENFELDBy definition a sequel can’t be original. So you’ve got to figure out what worked the first time around.
BARRY SONNENFELDI haven’t read a review of one of my films for the best part of 10 years.
BARRY SONNENFELDMichael worked one day. Everybody was a little freaked out and nervous because he’s a really big star. We were already working with really big stars, but Michael is Michael.
BARRY SONNENFELDAnd to use my particular sense of humor, and hear people laughing, without me having to stand up in front of an audience and tell jokes.
BARRY SONNENFELDAnd then through editing, and finishing the effects and adding music, you get to make the movie better again. So I’m really hard on myself and on the movie.
BARRY SONNENFELDIt felt scary because there was no auditioning, no rehearsing.
BARRY SONNENFELDThe first cut I do is usually between five and 10 minutes shorter then the cut that we release.
BARRY SONNENFELDI’m not the one or two take guy, but I’m not the 20, 30, 50, 70 take guy either. If I do a bunch of takes, like more than five or six, it’s usually for some technical reasons.
BARRY SONNENFELDMichael Jackson wanted to be in Men in Black II. He told me he had seen the first Men in Black in Paris and had stayed behind and sat there and wept.
BARRY SONNENFELDThere is something about being a director where, for me personally, I get to . . . it’s the closest I’ll ever come to being able to be a stand up.
BARRY SONNENFELDI had to explain to him that it was a comedy.
BARRY SONNENFELDWhen you’re done shooting, the movie that you’re going to release when you’re done shooting is as bad as it will ever be.
BARRY SONNENFELD