“Im not really sure what social message my art carries, if any.”

Picasso’s always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.

I don’t really know what to make of it. There’s something terribly brittle about it. I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.

I think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.

I kind of do the drawing with the painting in mind, but it’s very hard to guess at a size or a color and the colors around it and what it will really look like. It’s only a guess at the beginning, and then I try to refine it.

When I met Steve Kaufman, I thought he was Gene Simmons, but what an artist talent he is. He will be an art force in the art world to deal with.

All my art is in some way about other art, even if the other art is cartoons.

A number of artists have done things with Mickey Mouse – including Claes Oldenburg and Andy Warhol. He’s such an American symbol, and such an anti-art symbol.

I think that most people think painters are kind of ridiculous, you know?

But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.

The things that I have apparently parodied I actually admire.

I was at Rutgers University, and that was a center for Fluxus in a way. But it wasn’t what I was interested in.

The big tradition, I think, is unity. And I have that in mind; and with that, you know, you could break all the traditions- all the other so-called rules, because they are stylistic.. and most are not true.

Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist.

Im interested in what would normally be considered the worst aspects of commercial art.

Outside is the world; it’s there. Pop Art looks out into the world.

My work isn’t about form. It’s about seeing. I’m excited about seeing things, and I’m interested in the way I think other people see things.

General, your bomber is powerful. It flies faster than a storm and carries more than an elephant. But it has one defect: It needs a mechanic. General, man is very useful. He can fly and he can kill. But he has one defect: He can think.

Writing for me is a dragnet that carries everything away with it: expressions and figures of speech, postures, feelings, thoughts, troubles. In short, the lives of others.

Hopefully, other successes aren’t like me. It carries much more meaning to other people; my success story is irrelevant. It doesn’t make any sense.

The media is the message. It carries the full intention and the meaning. Once you change it…it’s very disturbing.

A handwritten letter carries a lot of risk. It’s a one-sided conversation that reveals the truth of the writer.