“I have always felt like an artist when I work on a book. I see no reason why the word should always be confined to writers of fiction and poetry.”

To put away one’s own original thoughts in order to take up a book is a sin against the Holy Ghost.

Books are the carriers of civilization. Without books, history is silent, literature dumb, science crippled, thought and speculation at a standstill.

No female iniquity was more severely condemned than the habit of plucking eyebrows and the hairline to heighten the forehead.

I have always been in a condition in which I cannot not write.

Doctrine tied itself into infinite knots over the realities of sex.

Of all the ills that our poor … society is heir to, the focal one, it seems to me, from which so much of our uneasiness and confusion derive, is the absence of standards.

Human beings, like plans, prove fallible in the presence of those ingredients that are missing in maneuvers – danger, death, and live ammunition.

Without books, the development of civilization would have been impossible.

Historians who stuff in every item of research they have found, every shoelace and telephone call of a biographical subject, are not doing the hard work of selecting and shaping a readable story.

Nothing is more satisfying than to write a good sentence.

Modern historians have suggested that in his last years he (Richard II) was overtaken by mental disease, but that is only a modern view of the malfunction common to 14th century rulers: inability to inhibit impulse.

In the midst of events there is no perspective.

We seem to be afflicted by a widespread and eroding reluctance to take any stand on any values, moral, behavioral or esthetic.

What his imagination is to the poet, facts are to the historian. His exercise of judgment comes in their selection, his art in their arrangement.

No less a bold and pugnacious figure than Winston Churchill broke down and was unable to finish his remarks at the sendoff of the British Expeditionary Force into the maelstrom of World War I in Europe.

[T]he obverse of facile emotion in the 14th century was a general insensitivity to the spectacle of pain and death.