When you’re a young comedian the first thing you want to do is get a laugh.
BARON VAUGHNI am afraid of abandonment, and, if you will, in a really existential way, being exposed as a fraud. Everyone’s afraid of it, and I definitely am. This is a fear that motivates. Oh, and heights. And getting stabbed.
More Baron Vaughn Quotes
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Every laugh is not equal. They come from different places. That’s sort of the challenge I go towards, making sure the laughs are for the reasons I want. It becomes a back and forth dance with the audience.
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I was processing a lot of different things and kind of looking over a lot of things and rethinking my childhood.
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There’s a difference between a sense of humor and a sense of funny. A sense of humor is knowing what makes you laugh and a sense of funny is knowing what makes other people laugh. The journey of comedy, in a sense, is negotiating those two worlds.
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The audience is your first collaborator with the material. If that makes sense.
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Sometimes you’re not getting the laughs you want or at the place you want but that doesn’t mean it’s not funny. It means you haven’t explored it enough.
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One time I was really close to Steve Martin. I was too afraid to actually go talk to him, but I’ll count that as meeting.
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I think Batman Returns is right for riffs. I love it but it’s the ultimate Tim Burton movie. There is so much that happens that’s crazy and there are a ton of things to riff.
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You can fit two United States and maybe a third one into the entire continent of Africa, but on a map we make the entire continent of Africa look like the size of the United States, which is why a lot of people don’t know that Africa is a continent. They think it’s a country because it looks as big as we do.
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Sometimes I have young comics that ask me, “What should I do when I meet an agent or a manager and they ask me stuff?” And I say, “Well, they always usually ask, ‘Where do you see yourself in five years, 10 years, 15 years?’ And it’s good to have an answer for that.”
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As you go on you realize “Okay I know how to get laughs but am I saying things I want to say? Am I writing jokes that I like?” You get to a point that is that so you move on.
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[Harold Pinter] is a British playwright and is one of my favorite writers. Harold was very obsessed with when memory becomes mythology, that at some point you change your memory to fit who you believe you are.
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Anyone who buys a ticket can just go in there, and I don’t like everyone, so I always see concerts as like, I’m going to get punched, I’m going to get elbowed, I’m going to get stepped on, get spilled on, someone’s going to hit me with their body odor or something.
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Lily Tomlin…I used to watch reruns of Laugh-In and she was always my favorite part. She’s this very unique talent and the way she does things has been a very big influence on me.
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The album [Blaxistential crisis] artwork is by a friend of mine who is a brilliant artist named Sara Pocock. We’ve been friends for a couple of years and she worked with me on the animation. I believe she’s still working over at BuzzFeed.
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Being around Lily Tomlin has been great, how she treats people, how she handles herself, how she goes about interpreting her character or deciding how the comedy should work.
BARON VAUGHN