“There’s certainly a lot of noise in the hip-hop world now [that] I don’t pay active attention to, but to the extent that I represent some flavor of what’s happening in hip-hop – it’s subconscious.”

My family life and early political life – being exposed to the news constantly, being enrolled in an Afrocentric education program, and doing the extracurriculars I did – played a huge role in me finding my path.

I am not a yogi yet, but I aspire to have more balance in my life.

Okay, well, if motion is the constant, how can I remain in motion?

2010 Foursquare Mayor Of The Year

Remember something about attention. Yes, it’s possible to buy, grab, or even steal it. But it’s far better to earn it.

By the time I got to Harvard, I feel like I knew who I was, and my job there was to throw as much against the wall as possible, to see what would stick.

I don’t know that I’m post-anything. I’d like to think maybe I’m post-bullshit.

You can call me namastunde or surfatunde. Either works.

Mostly I try to be the best example of me that I can be.

As far as hip-hop is concerned, I’m no expert and rarely think consciously about how I “represent” hip-hop.

I care about the diversity of the mindset of the people creating our future, and the windows through which we see it, and the tools we use to build it.

I work in comedy, journalism, media, and technology, many of which don’t have a lot of black faces in visible positions. I walk through Brooklyn with a surfboard. It’s fun to challenge and expand people’s expectations.

There are so many ways to be and to be black at the same time, but we’re finally seeing that full range expressed much more widely than before.

As I’ve submerged myself in news of the revolutions sweeping North Africa and the Middle East, I wanted desperately to feel part of what was going on. And then it hit me: This is what white people were doing to me after Obama was elected!

New York has been the best gift, in that the city pushes me to so many next levels.

Knowing that “me” is inextricably linked to blackness, [I try to enjoy] the process of expanding beyond the expected boundaries set by existing culture, norms and media.

Wherever I go, I bring the culture with me, so that they can understand that it’s attainable. I didn’t do it any other way than through hip-hop.

When I say ‘hip-hop is dead,’ basically, America is dead. There is no political voice. Music is dead.

Hip-hop lasted and survived all these years that you have to give it credit. Even though it’s not up to people’s expectations anymore, its still here, and that’s says a lot.

N.Y. hip-hop is ok, but we gotta become brave again; we have to be brave enough and do something new – that’s what New York is about… New.

I think – a lot of times in hip-hop, especially – artists get kind of pigeonholed into being ‘the guy,’ and it’s kind of limiting in a way.

When I listen to hip-hop, I listen to Just Ice, Boogie Down Productions, Ultramagnetic MCs.

It’s hard for a liberal to go on between Sean Hannity and Rush Limbaugh, because it’s like doing country music after hip-hop. I mean, just, the audience doesn’t go from one to the other.

When I need bread, I grab the toaster and stick niggas for they crumbs.