“I thought I wanted to be a performing and recording artist, and played many recitals and performances beginning in the 1970s. In the 1980s I went to the British Library and ordered and received reels of historical women and men keyboard composers, and thus was born Vivace Press.”

For my qualifying concert, Helmut Walcha would not coach Charles-Marie Widor or any American compositions. In his defense, his forte was Germanic composers, and his forte was really a fortissimo!

For some reason I seem to absorb the landscape and cultures where I am planted. A State Divided Symphony was inspired by the 150th anniversary of Missouri’s entry into the Civil War.

I have written six symphonies, they are smaller-scale works. I seem to emit my themes, work them out, combine and intertwine them, and then come to a close. I usually feel that there are no superfluous extras, but probably most composers feel that way about their works.

Who can forget the music of the French composer Germaine Tailleferre? These are just a few composers whose aesthetic ideals we all share, and there are many more women creators writing stunning and exciting music, and I wish I had space to list them all!

The first part of my career was indeed as a performer and recording artist, and I am still keenly involved with both. While rummaging around in the British Library, I found many delightful and interesting compositions by 18th-century men and women composers.

I was fortunate enough to take classes with Mel Powell at Yale University as well as a semester with Sam Adler at the Eastman School of Music. From Mel I learned to appreciate improvisatory ingenuity and from Sam rhythmic athleticism.

I do have to admit that teaching, composing, and editing is a bit easier than sitting at the organ or harpsichord for seven straight hours, but I do love to do it anyway! I have found my career changing over the years.

Men have been in the forefront of music for centuries, and they have written glorious music, loved and appreciated by many. In some ways, men are still in the forefront. There is a lot of room for composers of all types of music by both men and women, nowadays.

I strongly reject threats by any member state to destroy another or outrageous attempts to deny historical facts such as the Holocaust.

A historical romance is the only kind of book where chastity really counts.

Actually, the only thing I regret is not making more underground films and bringing them with me as historical documents.

It is wiser, I believe, to arrive at theory by way of evidence rather than the other way around…. It is more rewarding, in any case, to assemble the facts first and, in the process of arranging them in narrative form, to discover a theory or a historical generalization emerging of its own accord.

Religion has really spawned some monsters. It always has, historically. Go all the way back to the Inquisition, you know, the Crusades, the Jehad and so on.

There is an angel within the monkey struggling to get free, and this is what the historical crisis is all about.

Historical knowledge is indispensable for those who want to build a better world

The cardinal responsibility of leadership is to identify the dominant contradiction at each point of the historical process and to work out a central line to resolve it.