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Propaganda requires a permanent network of communication so that it can systematically stifle reflection with emotive or utopian slogans. Its pace is usually fast.

Related Topics

Communication Emotive Network Pace Permanent Propaganda Reflection Require Slogan Stifie Systematically

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.
JOHN BERGER

Art Future Innocent Judge never Often Past Revenge Shown Suffer
We follow songs in order to be enclosed. We find ourselves inside a message.
JOHN BERGER

Enclose Follow Inside Message Order Ourselves Song
This was once achieved by extensive deprivation. Today in the developed countries it is being achieved by imposing a false standard of what is and what is not desirable.
JOHN BERGER

Achieve Country Deprivation Desirable Develop False Impose Intensive Standard Today
All publicity works upon anxiety.
JOHN BERGER

Anxiety Publicity Upon Work
What distinguished man from animals was the human capacity for symbolic thought, the capacity which was inseparable from the development of language in which words were not mere signals, but signifiers of something other than themselves.
JOHN BERGER

Animal Capacity Development First Human In Language Men Separate Signal Symbolic
Seeing comes before words. The child looks and recognizes before it can speak.
JOHN BERGER

Children Looks Speak Recognize Word
Yet nowherein a zoo can a stranger encounter the look of an animal. At the most, the animal’s gaze flickers and passes on. They look sideways. They look blindly beyond.
JOHN BERGER

Animal Beyond Blindly Encounter Flicker Gaze Look Most Pass Stranger
As Nelson Mandela has pointed out, boycott is not a principle, it is a tactic depending upon circumstances.
JOHN BERGER

Boycott Celebrity Circumstance Country Depend Government People Person Pont Principle Tactic Upon Way
For those who are behind the curtain, landmarks are no longer only geographic but also biographical and personal
JOHN BERGER

Behind Biographical Curtain Geographical Landmark Longer Personal
The relation between what we see and what we know is never settled. Each evening we see the sun set.
JOHN BERGER

Between Know Relation Settle
When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
JOHN BERGER

Book Cover Four Inhabit Reading Roof Wall
Every painted image of something is also about the absence of the real thing. All painting is about the presence of absence.
JOHN BERGER

Absence Painting Presence Real Something Thing
Picasso drawings are like that… the Rembrandts are like that. The artist who most often did that was Van Gogh.
JOHN BERGER

Artist Celebrity Country Drawing Epson Expert Like Most Often People Picasso Rembrandts
A drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. A ‘finished’ work is an attempt to construct an event in itself.
JOHN BERGER

Autobiographical Discovery Drawing Event Imagine Record Remembered Seen
In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man.
JOHN BERGER

Average Country Men never Painting Presume Principal Protagonist Rude Spectator
It dreams, like a dog in its basket, of hares in the open.
JOHN BERGER

Basket Dog Dream Haire Like Open

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