Most of the bands that I really hold in my heart – you don’t think about them as bands; they’re just the soundtrack of your life.
BABATUNDE ADEBIMPERegarding race or gender or sexuality, one of the great things about art and music is that they can provide people with very little else in common with a similar entry point for discussion, but the discussions still need to happen for life to get more interesting.
More Babatunde Adebimpe Quotes
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One second you’re having the time of your life in front of all these people, and then you come backstage to the exact opposite – there’s only lukewarm carrots back there.
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Being 15 and like a punk in the DIY community, basically being with a group of people like no one else, it was the first place to exclude or call out if people were racist, sexist, homophobic or in any way prejudiced.
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It’s insane when someone shows up to your show and is like, “You could run off with me right now!” I’m like, “It’s cool, I think I’m gonna go read.”
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Most of the bands that I really like no longer exist. That might just be because I’m in my thirties or whatever. But I also think it’s the rare band that doesn’t, like, turn into something else.
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You turn into this desperate dude looking for a shred of attention when you just had so much. It’s like, “I’m just lonely and all I really want is a hug, but I gotta capture that in something real gross.” You start to understand why circus clowns are alcoholics.
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I’ve had terrible, terrible, terrible shows where I just thought, “That was off-key” or I forgot lines or I thought I looked like an idiot, and then you’re leaving and talking to people, and they’re like, “I had the best time of my life! That was amazing!” You just never know.
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I like the model of people getting together to make something when they want to do it and not being dictated to by a cycle.
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I probably couldn’t have the same experience listening to that song because I’m self-conscious about some of my singing parts.
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There are a lot of spikes that can happen when what you’re doing starts to get attention or people start to talk about it. They can just kind of really do a number on your reasons for making music.
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You can physically move yourself around but there’s that great line that Adam wrote: “Does it define for life, like print of thumb?” I think it does.
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The cynicism doesn’t come across in the final; it can be taken as a very sincere plea for someone to not go away.
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I don’t want my reasons to be informed by what people think about what I’m doing.
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Painting and animation can be kind of long work. Music was more immediate and more fun.
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You have to be a really talented writer if you’re trying to encapsulate a news story with a song and have it live after the event. I don’t have the focus to do that, really.
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The feeling of being halfway through a show and just realizing that there’s nothing you can do to save it – it’s a horrible feeling.
BABATUNDE ADEBIMPE






