I was born and raised on a Carolina sea island and I carried the sunshine of the low-country, inked in dark gold, on my back and shoulders.
PAT CONROYMama always taught her children that words were pretty, but anyone can talk. She said, pay attention to that man or woman who acted, who did, who performed. She taught us to trust in thing we could see, not that we heard.
More Pat Conroy Quotes
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Good writing is the hardest form of thinking. It involves the agony of turning profoundly difficult thoughts into lucid form, then forcing them into the tight-fitting uniform of language, making them visible and clear.
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One does not know where love will take you.
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Baseball fans love numbers. They love to swirl them around their mouths like Bordeaux wine.
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In Charleston, more than elsewhere, you get the feeling that the twentieth century is a vast, unconscionable mistake.
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I could bear the memory, but I could not bear the music that made the memory such a killing thing.
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Faulkner didn’t know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it’s necessary
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Rape is a crime against sleep and memory; it’s afterimage imprints itself like an irreversible negative from the camera obscura of dreams.
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But even her demons she invested with inordinate beauty, consecrated them with the dignity of her attention.
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Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn’t know he was Ernest Hemingway when he was a young man.
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I can’t pass a bookstore without slipping inside, looking for the next book that will burn my hand when I touch its jacket, or hand me over a promissory note of such immense power that it contains the formula that will change everything about me.
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Good coaching is good teaching and nothing else.
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If the writing is good, then the result seems effortless and inevitable. But when you want to say something life-changing or ineffable in a single sentence, you face both the limitations of the sentence itself and the extent of your own talent.
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I don’t know why it is that I have always been happier thinking of somewhere I have been or wanted to go, than where I am at the time. I find it difficult to be happy in the present.
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I’ve always believed that dreams were both the love letters and the hate mail of the subconscious.
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No story is a straight line. The geometry of a human life is too imperfect and complex, too distorted by the laughter of time and the bewildering intricacies of fate to admit the straight line into its system of laws.
PAT CONROY






