Anonymity lets me concentrate exclusively on writing.
ELENA FERRANTEIt’s the people who love us or hate us – or both – who hold together the thousands of fragments we are made of.
More Elena Ferrante Quotes
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Even as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.
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The rules say that to tell a story you need first of all a measuring stick.
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Certainly something had happened to me during the night. Or after months of tension I had arrived at the edge of some precipice and now I was falling, as in a dream slowly, even as I continued to hold the thermometer in my hand, een as I stood with the soles of my slippers on the floor.
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A calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
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My work stops at publication. If the books don’t contain in themselves their reasons for being – questions and answers – it means I was wrong to have them published.
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He was going through one of those moments that you read about in books, when a character reacts in an unexpectedly extreme way to the normal discontents of living.
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Existence is this, I thought, a start of joy, a stab of pain, an intense pleasure, veins that pulse under the skin, there is no other truth to tell.
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Writing for me is a dragnet that carries everything away with it: expressions and figures of speech, postures, feelings, thoughts, troubles. In short, the lives of others.
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Is it possible that even happy moments of pleasure never stand up to a rigorous examination? Possible.
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The fictional treatment of biographical material – a treatment that for me is essential – is full of traps.
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I no longer protect myself from the world I grew up in. Rather, today I try to protect the feelings I have for that world, the emotional space where my desire to write first took hold, and still grows.
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The essential, however, was to know how to play, and she and I, only she and I, knew how to do it.
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I had to discover very quickly that class origins cannot be erased, regardless of whether we climb up or down the sociocultural ladder.
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Competition between women is good only if it does not prevail; that is to say if it coexists with affinity, affection, with a real sense of being mutually indispensable, with sudden peaks of solidarity in spite of envy, jealousy and the whole inevitable cohort of bad feelings.
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Those who write need that “willing suspension of disbelief “, as Coleridge called it.
ELENA FERRANTE