I try to deal with the complexities of power and social life, but as far as the visual presentation goes I purposely avoid a high degree of difficulty.
BARBARA KRUGERArt is as heavy as sorrow, as light as a breeze, as bright as an idea, as pretty as a picture, as funny as money, and as fugitive as fraud!
More Barbara Kruger Quotes
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I work with pictures and words because they have the ability to determine who we are, what we want to be and what we become.
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Memory is your image of perfection.
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I’m trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed.
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Photography has saturated us as spectators from its inception amidst a mingling of laboratorial pursuits and magic acts to its current status as propagator of convention, cultural commodity, and global hobby.
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What makes the production of my work so expensive? The whole installation thing – the construction, the objects, the technology. It really adds up.
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It’s hard for me to understand how working-class people support themselves.
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I want to speak, show, see, and hear outrageously astute questions and comments. I want to be on the sides of pleasure and laughter and to disrupt the dour certainties of pictures, property, and power.
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It’s a small world, but not if you have to clean it
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I think people have to set up little battles. They have to demonize people whom they disagree with or feel threatened by. But it’s the ideological framing of the debate that scares me.
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Look, we’re all saddled with things that make us better or worse. This world is a crazy place, and I’ve chosen to make my work about that insanity.
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It’s good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can’t be personalized.
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What I’m trying to do is create moments of recognition.
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I like suggesting that ‘we are slaves to the objects around us,’ that ‘plenty should be enough,’ or that the ‘buyer should beware,’ within the context of conventional selling space.
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Money talks. It starts rumors about careers and complicity and speaks of the tragedies and triumphs of our social lives.
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You know, one of the only times I ever wrote about art was the obituary of Warhol that I did for the Village Voice.
BARBARA KRUGER