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I think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.

Roy Lichtenstein

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I think art since Cezanne has become extremely romantic and unrealistic, feeding on art. It is Utopian. It has less and less to do with the world. It looks inward – neo-Zen and all that. Pop Art looks out into the world. It doesn’t look like a painting of something, it looks like the thing itself.
ROY LICHTENSTEIN

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Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there’s another purpose to it.
ROY LICHTENSTEIN

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I’d always wanted to know the difference between a mark that was art and one that wasn’t.
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I take a cliche and try to organize its forms to make it monumental. The difference is often not great, but it is crucial.
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What interests me is to paint the kind of antisensitivity that impregnates modern civilization.
ROY LICHTENSTEIN

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I dont have big anxieties. I wish I did. Id be much more interesting.
ROY LICHTENSTEIN

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But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.
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Yeah, you know, you like it to come on like gangbusters, but you get into passages that are very interesting and subtle, and sometimes your original intent changes quite a bit.
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You forget that this has been thirty five years now and people don’t look at it as if it were some kind of oddity.
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There must be something about art… almost all cultures have done art. It’s a refining of the senses, which are there to keep us alive. As far as we know, no other animals do that.
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My use of evenly repeated dots and diagonal lines and uninflected color areas suggest that my work is right where it is, right on the canvas, definitely not a window into the world.
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In America the biggest is the best.
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Use the worst colour you can find in each place – it usually is the best.
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Picasso’s always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.
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My direction is very anti-contemplative. If you thought I was for commercial products, you’d think there was no irony. The irony isn’t meant to be an ironic comment on our society, exactly.
ROY LICHTENSTEIN

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We’re not living in a school-of-Paris world, you know, and the things we really see in America are like this. It’s McDonald’s, it’s not Le Corbusier.
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