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Art, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts, and honor.

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Art Become Enduring Function Gut Honor Invisible Meeting Place

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

The true content of a photograph is invisible, for it derives from a play, not with form, but with time.
JOHN BERGER

Invisible Photograph Play Time True
[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.
JOHN BERGER

Art Future Innocent Judge never Often Past Revenge Shown Suffer
It can happen that a book, unlike its authors, grows younger as the years pass.
JOHN BERGER

Book Grow Pass Unlike Year Younger
Painting is something that you need to do, if not every day, then certainly most days. It is almost like being a pianist: if you stop, you lose something.
JOHN BERGER

Almost Being Certainly Certainty Need Painting Pianist Something
We can become anything. That is why injustice is impossible here. There may be the accident of birth, there is no accident of death. Nothing forces us to remain what we were.
JOHN BERGER

Accident Anything Birth Impossible Injustice May Nothing Remain
Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place.
JOHN BERGER

Achievement Behind Deceptive Landscape Life Seem Setting Sometimes Struggle Success
Emigration, forced or chosen, across national frontiers or from village to metropolis, is the quintessential experience of our time.
JOHN BERGER

Chosen Emigration Experience Forced Metropolis National Time Village
Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
JOHN BERGER

Clash Color Cymbal Effect Lullaby Matisse Neither Together
You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
JOHN BERGER

Enjoy Hand Look Mirror Morally Naked Paint Painting Pleasure Vanity Women
What any true painting touches is an absence – an absence of which without the painting, we might be unaware. And that would be our loss.
JOHN BERGER

Absence Loss might Paint Painting Touch True Unaware
Advertising is not merely an assembly of competing messages; it is a language itself which is always being used to make the same general proposal
JOHN BERGER

Advertising Assembly Being Competing Language Merely Message Messages Same Use
Photography, because it stops the flow of life, is always flirting with death.
JOHN BERGER

Death Flirting Flow Life Photography
Picasso drawings are like that… the Rembrandts are like that. The artist who most often did that was Van Gogh.
JOHN BERGER

Artist Celebrity Country Drawing Epson Expert Like Most Often People Picasso Rembrandts
To be naked is to be oneself. To be nude is to be seen naked by others and yet not recognized for oneself. A naked body has to be seen as an object in order to become a nude.
JOHN BERGER

Naked Oneness Oneself Order Other Recognize Sight
Propaganda requires a permanent network of communication so that it can systematically stifle reflection with emotive or utopian slogans. Its pace is usually fast.
JOHN BERGER

Communication Emotive Network Pace Permanent Propaganda Reflection Require Slogan Stifie Systematically
The spectator-buyer is meant to envy herself as she will become if she buys the product.
JOHN BERGER

Buy Buyer Envy Herself Imagine Meant Product Spectator

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