“The envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.”

The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.

For those who are behind the curtain, landmarks are no longer only geographic but also biographical and personal

All publicity works upon anxiety.

Ethics determine choices and actions and suggest difficult priorities.

Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.

Poetry can repair no loss, but it defies the space which separates. And it does this by its continual labor of reassembling what has been scattered.

Art, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts, and honor.

She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself.

We who draw do so not only to make something observed visible to others, but also to accompany something invisible to its incalculable destination

Autobiography begins with a sense of being alone. It is an orphan form.

Later alone it wore poems for clothes. Like a shirt I carried on my back the poetry I had read. So I lived for half a century until wordlessly we met. From my shirt on the back of the chair I learn tonight how many years of learning by heart I waited for you.

The camera relieves us of the burden of memory.

Compassion has no place in the natural order of the world which operates on the basis of necessity.

Hope is a contraband passed from hand to hand and story to story.

If every event which occurred could be given a name, there would be no need for stories.

Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.

The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority.

You are observed with interest but you do not observe with interest – if you do, you will become less enviable. In this respect the envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.

Taking control of our laws border and money, run not by a bunch of overpaid bureaucrats in Brussels but by a bunch of overpaid bureaucrats in Britain. That ladies and gentlemen is a dream worth fighting for.

People won’t want powers being handed back from bureaucrats in Brussels to be given to bureaucrats in Britain.

From my experience in working with bureaucrats and politicians, if you are a credible business group, they will definitely help you.