We all have our individual artistic temperaments as well as partisanships in creative directions. And we have strong opinions on the merits of the products of our occupation.
WOLE SOYINKAWe all have our individual artistic temperaments as well as partisanships in creative directions. And we have strong opinions on the merits of the products of our occupation.
More Wole Soyinka Quotes
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My understanding of the creative process is simply that all cultures and all concerns meet at a certain point, the human point in which everything is related to one another. That has been my creative experience.
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When a leader encourages the culture of impunity, the society is lost and it makes the work harder for the rest of us.
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I have no money to give to you but I have ideas and organizational capacity.
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I can look violence in the face and either reject or accept it.
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For me, justice is the prime condition of humanity.
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I don’t know any other way to live but to wake up everyday armed with my convictions, not yielding them to the threat of danger and to the power and force of people who might despise me.
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To achieve any change in the minds of the youth, there must be reorientation in terms of materialistic tendencies, corruption and crime generally.
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Colonialism bred an innate arrogance, but when you undertake that sort of imperial adventure, that arrogance gives way to a feeling of accommodativeness. You take pride in your openness.
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What I teach is literary criticism and comparative literature and so on and that’s my function, but from time to time it’s possible for me actually to help a writer. I read something and something strikes me then, I feel I can talk to that writer about it.
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I’m not one of those writers I learned about who get up in the morning, put a piece of paper in their typewriter machine and start writing. That I’ve never understood.
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A tiger does not proclaim his tigritude, he pounces.
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I consider the process of gestation just as important as when you’re actually sitting down putting words to the paper.
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There is only one home to the life of a river-mussel; there is only one home to the life of a tortoise; there is only one shell to the soul of man: there is only one world to the spirit of our race. If that world leaves its course and smashes on boulders of the great void, whose world will give us shelter?
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I began writing early – very, very early… I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, ‘Now I’m a writer.’ I’ve always been a writer.
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Mythology can be used, and has been used, even to re-state, you know, the very urgent problems of the world.
WOLE SOYINKA