The knowledge that every day there is something more to learn, something higher to reach for, something new to make for others, makes each day infinitely precious
UTA HAGENI’m a bad liar; I don’t know what to say backstage.
More Uta Hagen Quotes
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Maybe the one I enjoyed playing most was A Month in the Country.
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One cannot demand of art that it pay you in any other way than in the satisfaction of the work itself.
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We had a relationship that lasted 44 years. Herbert and I lived together 10 years before we were married. He always gave me a little heart for whatever anniversary.
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Since the time of the ancient Greeks a democracy has depended on its philosophers and creative artists. It can only flourish by continuous probing, prodding, and questioning of the social conditions under which man exists and tries to better himself.
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Working with Brando was fun. It was like a tennis match. We played unbelievably well together.
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I think, by and large, the level of acting is mediocre. When I go to the theatre, I get so angry. I don’t go.
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Thoughts and feelings are suspended in a vacuum unless they instigate and feed the selected actions, and it is the characters actions which reveal the character in the play.
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The actor must know that since he, himself, is the instrument, he must play on it to serve the character with the same effortless dexterity with which the violinist makes music on his. Just because he doesn’t look like a violin is no reason to assume his techniques should be thought of as less difficult.
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We must overcome the notion that we must be regular… it robs you of the chance to be extraordinary and leads you to the mediocre.
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Awards don’t really mean much.
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This concept must be changed; we must realize in our bones that almost everything in time and history has changed except the human being.
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We were not allowed to say, Screw, but we could say, Hump the hostess, because hump is in Shakespeare.
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It must be noted that it is often the colleague or direct disciple of a new thinker who gets stuck in literal interpretations of the work, tending to freeze the new ideas and language into an inflexible, static condition.
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no work of art is ever finished, nothing is ever static, no performance is for keeps.
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Talent is an amalgam of high sensitivity; easy vulnerability; high sensory equipment (seeing, hearing, touching, smelling, tasting intensely); a vivid imagination as well as a grip on reality; the desire to communicate one’s own experience and sensations, to make one’s self heard and seen.
UTA HAGEN






