“Excellence is being able to perform at a high level over and over again. You can hit a half-court shot once. That’s just the luck of the draw. If you consistently do it… that’s excellence.”

I think that’s what happened to the record business when ‘Napster’ came around. The industry rejected what was happening instead of accepting it as change.

The average rap life is two or three albums. You’re lucky to get to your second album in rap!

Growing up, politics never trickled down to the areas we come from. But people from Obama’s camp, and Obama himself, reached out to me and asked for my help on the campaign. We’ve sat and had dinner, and we’ve spoken on the phone. He’s a very sharp guy. Very charming. Very cool.

I don’t think any rapper can go back. You can be a car salesman, a bank teller – I mean, really good jobs, and people are still gonna look at you and be like, ‘You used to rap; what happened?’

Hip-hop has done more for race relations than most cultural icons; and I say save Martin Luther King, because his ‘I Have A Dream’ speech was realized when Obama was elected into office.

I try to make music with emotion and integrity. And authenticity.

I’ve talked to Bill Clinton – he’s the ultimate rock star; no one’s more charming than him. People clap in a restaurant when he finishes dinner! I don’t get that treatment. I get it when I walk onstage, but not when I have dinner.

Music is everywhere – you consume it every day, everywhere you go. The content creator should be compensated. It’s only fair.

I don’t have any fear of working with Samsung because I’m not gonna let them put a phone on my forehead; that’s just never gonna happen.

I remember the first time I saw the ‘Sugarhill Gang’ on Soul Train. I was 11 or 12. I was like, ‘What’s going on? How did those guys get on national TV?’ And then, when I was a little older, a rapper from the neighborhood got a record deal. I was shocked.

I’ve said the election of Obama has made the hustler less relevant. People took it in a way that I was almost dismissing what I am. And I was like, ‘No, it’s a good thing!’

The challenge is to get everyone to respect music again, to recognize its value.

When the TV version of Annie came on, I was drawn to it. It was the struggle of this poor kid in this environment and how her life changed. It immediately resonated.

I was never a worker. And that’s not even being arrogant. I was just never a worker.

Hip-hop is more about attaining wealth. People respect success. They respect big. They don’t even have to like your music. If you’re big enough, people are drawn to you.

I never wanted to just glamorize the playa lifestyle and not touch on the down side. I wanted everyone who’s in a desperate situation to know that, if they wanna choose that kinda lifestyle, they gotta be aware of everything that comes with it! It’s not just about the cars, the ladies and the money.

A tradition is kept alive only by something being added to it.

Being disabled gave me an immense advantage. People are kinder to you. It puts you on a different level than if you go into a situation whole and secure.

No human being is unimportant. My inspiration comes in opening opportunities that all alike may be free to live life to the fullest.

The major adventure is to claim your authentic, true being, which is not culturally given to you. The culture will not explain to you how to be a real human being. It will tell you how to be banker, politician, Indian chief, masseuses, actress, whatever, but it will not give you true being.

Most human beings have an almost infinite capacity for taking things for granted.

I believe that all the best faculties of a mature human being exist in the child. . . that one of the most deeply human, and humane, of these faculties is the power of imagination.

Knowledge and wisdom, far from being one, Have oft-times no connection.

Being a father is an everyday challenge. It goes on and on.