I didn’t choose anonymity.Instead, I chose absence.
ELENA FERRANTEHe was going through one of those moments that you read about in books, when a character reacts in an unexpectedly extreme way to the normal discontents of living.
More Elena Ferrante Quotes
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Climbing the economic ladder has been very hard for me; I still feel a great deal of guilt towards those I left behind.
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In order not to cut out a large part of one’s private life, the creative work should not swallow up every other form of self-expression. But that is the most complicated thing.
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The fictional treatment of biographical material – a treatment that for me is essential – is full of traps.
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As a girl – twelve, thirteen years old – I was absolutely certain that a good book had to have a man as its hero, and that depressed me.
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I am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
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Writing for me is a dragnet that carries everything away with it: expressions and figures of speech, postures, feelings, thoughts, troubles. In short, the lives of others.
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Writers, because they write, are condemned never to be readers of their own stories…The memory of first putting a story into words will always prevent writers from reading their work as an ordinary reader would.
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I don’t have any special passion for politics, it being a never-ending merry-go-round of bosses big and small, all generally mediocre. I actually find it boring.
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A calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
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Even as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.
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Women, in all fields – whether mothers or not – still encounter an extraordinary number of obstacles. They have to hold too many things together and often sacrifice their aspirations in the name of affections.
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I think our sexuality is all yet to be recounted and that the rich male literary tradition constitutes a huge obstacle.
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Anonymity lets me concentrate exclusively on writing.
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I had to discover very quickly that class origins cannot be erased, regardless of whether we climb up or down the sociocultural ladder.
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Those who write need that “willing suspension of disbelief “, as Coleridge called it.
ELENA FERRANTE