Thoughts and feelings are suspended in a vacuum unless they instigate and feed the selected actions, and it is the characters actions which reveal the character in the play.
UTA HAGENAll tedious research is worth one inspired moment.
More Uta Hagen Quotes
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If you want a bourgeois existence, you shouldn’t be an actor. You’re in the wrong profession.
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One cannot demand of art that it pay you in any other way than in the satisfaction of the work itself.
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For some strange reason, we believe that anyone who lived before we were born was in some peculiar way a different kind of human being from any we have come in contact with in our own lifetime.
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Since the time of the ancient Greeks a democracy has depended on its philosophers and creative artists. It can only flourish by continuous probing, prodding, and questioning of the social conditions under which man exists and tries to better himself.
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I’m a bad liar; I don’t know what to say backstage.
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We had a relationship that lasted 44 years. Herbert and I lived together 10 years before we were married. He always gave me a little heart for whatever anniversary.
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It must be noted that it is often the colleague or direct disciple of a new thinker who gets stuck in literal interpretations of the work, tending to freeze the new ideas and language into an inflexible, static condition.
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I love going to the movies; I love watching good movie actors. They must know something I don’t.
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The need to be loved and protected is at a peak when we feel abandoned and are particularly vulnerable to difficult circumstances.
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Working with Brando was fun. It was like a tennis match. We played unbelievably well together.
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This concept must be changed; we must realize in our bones that almost everything in time and history has changed except the human being.
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Keep pace with the present. Take a trip to the moon. envision the future.
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I think, by and large, the level of acting is mediocre. When I go to the theatre, I get so angry. I don’t go.
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Maybe the one I enjoyed playing most was A Month in the Country.
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The actor must know that since he, himself, is the instrument, he must play on it to serve the character with the same effortless dexterity with which the violinist makes music on his. Just because he doesn’t look like a violin is no reason to assume his techniques should be thought of as less difficult.
UTA HAGEN