“We can change our life, our being; no matter what our will is, we are changed. As the moon changes yet is one, so we are virgin, wife, mother, grandmother.”

To think that realistic fiction is by definition superior to imaginative fiction is to think imitation is superior to invention.

But it is one thing to read about dragons and another to meet them.

It is good to have an end to journey towards; but it is the journey that matters, in the end.

I don’t think ‘science fiction’ is a very good name for it, but it’s the name that we’ve got. It is different from other kinds of writing, I suppose, so it deserves a name of its own.

A panda walks into a tea room and ordered a salad and ate it. Then it pulled out a pistol, shot the man in the next table dead, and walked out.

There have been great societies that did not use the wheel, but there have been no societies that did not tell stories.

as a writer you are free. You are about the freest person that ever was. Your freedom is what you have bought with your solitude, your loneliness.

Grieving, like being blind, is a strange business; you have to learn how to do it. We seek company in mourning, but after the early bursts of tears, after the praises have been spoken, and the good days remembered, and the lament cried, and the grave closed, there is no company in grief. It is a burden borne alone.

The book is all there, all at once, between its covers. But if you want to read the story and understand it, you must begin with the first page, and go forward, always in order. So the universe would be a very great book, and we would be very small readers.

Life–evolution–the whole universe of space/time, matter/energy–existence itself–is essentially change.

The world is in balance . To light a candle is to cast a shadow.

The danger in trying to do good is that the mind comes to confuse the intent of goodness with the act of doing things well.

When you light a candle, you also cast a shadow.

That selfhood which is our torment, and our treasure, and our humanity, does not endure. It changes; it is gone, a wave on the sea. Would you have the sea grow still and the tides cease, to save one wave, to save yourself?

We will need writers who can remember freedom. Poets, visionaries-the realists of a larger reality.

It doesn’t have to be plugged in, activated, or performed by a machine; all it needs is light, a human eye, and a human mind. It is not one of a kind, and it is not ephemeral. It lasts. It is reliable.

We lose touch with parts of ourselves defined as unacceptable by that consciousness; with the vital toughness and visionary strength of the angry grandmothers, the fierce market women of the Ibo’s Women’s War.

My hero among heroes is my grandmother, she’s the epitome of strength and I try to mock that strength all the time. She’s a beast.

I never knew my grandmothers, but I could always count of the Bookmobile.

People have often told me that one of their strongest childhood memories is the scent of their grandmother’s house.

People have often told me that one of their strongest childhood memories is the scent of their grandmother’s house.

I am the product of the sustained indignation of a branded grandfather, the militant protest of my grandmother

One might almost fear,” writes a thoughtful woman, “seeing how the women of to-day are lightly stirred up to run after some new fashion or faith, that heaven is not so near to them as it was to their mothers and grandmothers.

My mother and my grandmother are pioneers of Mexican cuisine in this country, so I grew up in the kitchen. My mom, Zarela Martinez, was by far my biggest influence and inspiration – and toughest critic.