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I can give back to the world all that I didn’t do. All that I might have been and couldn’t be. All the choices I didn’t make. All the things I lost and spent and wasted. I can give them back to the world.

Ursula K. Le Guin

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Back Choice Give Lost Thing Waste World

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Love doesn’t just sit there, like a stone; it has to be made, like bread, remade all the time, made new.
URSULA K. LE GUIN

Bread Just Love Made New Remade Sit Stone Time
We are been taught to be ashamed of not being ‘outgoing’. But a writer’s job is ingoing.
URSULA K. LE GUIN

Ashamed Been Job Outgoing Taught Winter
Only in silence the word, only in dark the light, only in dying life: bright the hawk’s flight on the empty sky.
URSULA K. LE GUIN

Bright Die Empty Hawk Light Only Silence Sky Word
I do not care what comes after; I have seen the dragons on the wind of morning.
URSULA K. LE GUIN

After Care Come Dragon Morning Seen Wind
All of us have to learn how to invent our lives , make them up, imagine them.
URSULA K. LE GUIN

Imagine Invest Learn Live Make
I doubt that the imagination can be suppressed. If you truly eradicated it in a child, he would grow up to be an eggplant.
URSULA K. LE GUIN

Child Doubt Eggplant Eradicated Grow Imagination Suppressed
Hope is a slow business.
URSULA K. LE GUIN

Business Hope Slow
First sentences are doors to worlds.
URSULA K. LE GUIN

First Sentence World
Translation is entirely mysterious. Increasingly I have felt that the art of writing is itself translating, or more like translating than it is like anything else.
URSULA K. LE GUIN

Anything Art Else Entirely Fell Increasingly Itself Mysterious Translate Translation Writing
In the tale, in the telling, we are all one blood. Take the tale in your teeth, then, and bite till the blood runs, hoping it’s not poison; and we will all come to the end together, and even to the beginning: living, as we do, in the middle.
URSULA K. LE GUIN

Bite Blood Come End Hope Live Middle Position Run Take Tale Telling
Those who build walls are their own prisoners. I’m going to go fulfill my proper function in the social organism. I’m going to unbuild walls.
URSULA K. LE GUIN

Build Own Prison Wall
The misogyny that shapes every aspect of our civilization is the institutionalized form of male fear and hatred of what they have denied and therefore cannot know, cannot share: that wild country, the being of women.
URSULA K. LE GUIN

Aspect Civilization Denied Fear Form Institutionalize Know Male Misogyny Shape
Hardly anybody ever writes anything nice about introverts. Extroverts rule. This is rather odd when you realise that about nineteen writers out of twenty are introverts.
URSULA K. LE GUIN

Anybody Anything Hardly Introvert Rule Write
Fantasy is nearer to poetry, to mysticism, and to insanity than naturalistic fiction is. It is a wilderness, and those who go there should not feel too safe.
URSULA K. LE GUIN

Fantasy Feel Fiction Inanity Naturalistic Nearest Poetry Safe Wilderness
When you light a candle, you also cast a shadow.
URSULA K. LE GUIN

Candle Cast Light Shadow
Light is the left hand of darkness and darkness the right hand of light. Two are one, life and death, lying together like lovers in kemmer, like hands joined together, like the end and the way.
URSULA K. LE GUIN

Darkness Death Hand Join Left Life Light Lover Lying Right Together Two

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