“The media owes the responsibility to constantly tell the public the truth.”

The man dies in all those that keep silent.

Arts and the Sciences are a natural symbiosis. They stem from the same human existential impulse – exploration. Exploration of what lies beneath the surface, and re-confuguration of elements of what we call reality.

It is the human potentials that interest me. I travel and everywhere I go I am amazed at the presence of Nigerians. The intelligence, integrity, productivity, initiative.

I don’t really consider myself a novelist, it just came out purely by accident.

. . . as far as the regime is concerned, well, the play is sheer terror for them. Because they feel, How dare – how dare anybody lift his or her voice in criticism against us? We have the guns. Their level of paranoia and power-drunkenness is unbelievable.

See, even despite pious statements to the contrary, much of the industrialized world has not yet come to terms with the recognition of the fallacy of what I call the strong man syndrome.

Very conscious of the fact that an effort was being made to destroy my mind, because I was deprived of books, deprived of any means of writing, deprived of human companionship. You never know how much you need it until you’re deprived of it.

Culture is a matrix of infinite possibilities and choices. From within the same culture matrix we can extract arguments and strategies for the degradation and ennoblement of our species, for its enslavement or liberation, for the suppression of its productive potential or its enhancement.

Each time I think Ive created time for myself, along comes a throwback to disrupt my private space.

I began writing early – very, very early… I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, ‘Now I’m a writer.’ I’ve always been a writer.

And I believe that the best learning process of any kind of craft is just to look at the work of others.

What I teach is literary criticism and comparative literature and so on and that’s my function, but from time to time it’s possible for me actually to help a writer. I read something and something strikes me then, I feel I can talk to that writer about it.

You have the entire gamut of human experience captured in the mythology of the Yoruba. This is what makes the Yoruba mythology a natural source material for me in my creative endeavours.

And gradually they’re beginning to recognize the fact that there’s nothing more secure than a democratic, accountable, and participatory form of government. But it’s sunk in only theoretically, it has not yet sunk in completely in practical terms.

The hand that dips into the bottom of the pot will eat the biggest snail.

Mythology can be used, and has been used, even to re-state, you know, the very urgent problems of the world.

To remain constantly in Your embrace, just as the whole of time remains in the embrace of eternity.

And if the years vanish in their course, they are still only successions of days that pass right through us as we pass through them in order to seek constantly what You have to show us.

I’m constantly scared. I’m constantly fearful of what’s to come and people don’t realize that.

The hardest thing as an actor is that you work really hard constantly for these roles, and you invest so much in it.

I want to make sure people are constantly surprised and interested.

We are constantly affecting the world.

And you can constantly look back when you’re in some sort of fix and say, “Well, on so-and-so film, we did this, and it worked out fine.”

I think the whole thing that Jamie [Hyneman] and I have in working together is that we are constantly simplifying each other’s designs,