“What I’ve noticed about Hollywood is, if you go out there shouting about who you are, they will love you for it. But if you go out not knowing what it is that you’re representing, and you are just a canvas, they will make you into the thing they need you to be.”

When you’re given a platform, and you’re allowed to perform, and someone’s there to heighten you as opposed to dampen you, that’s a nice feeling.

That’s something I’ve always appreciated watching actors that I’ve looked up to, is when they look like you and me, or they have a funny elbow, or they have, you know, a hairy face.

I found out I got ‘The Little Drummer Girl’ and my BAFTA nomination in quick succession, and I just didn’t expect it to be like that. I thought there would be a lot more time in between. It’s been an overwhelming experience.

And I’m a very physical person: I talk with my hands. And I felt how the clothes took that away from me. And that was the idea, I think. It was a way of limiting women.

Every time ‘Lady Macbeth’ and everyone involved in the film gets nominated, it’s amazing.

I can definitely hold my hands up and say wrestling wasn’t something that I grew up watching.

Someone asked if I wanted to be the first female Bond, and I was saying that I don’t think we necessarily need that whole conversation.

If you ever want to be interrogated, get Michael Shannon to do it. He’s an amazing man. I loved working with him.

The Kate Winslet thing has been a shocker. I was like, that is the most ridiculous claim.

The women I’m attracted to playing I hope will mean something to someone.

The Silence of the Lambs’ is my favourite book, favourite film.

I wanted to go to drama school, but when I got the part in ‘Falling,’ I got an agent, so it seemed a good idea to work.

Feisty women are my calling!

We actually did perform it in front of all those thousands of people. And just beforehand, we had a little dress rehearsal, and there were all these famous wrestlers going around and watching as well. Terrifying.

I love watching faces as they grow up. It’s the difference between so many strong British actresses compared to what America does to women.

I always hate it when I see the wrong person in massive roles, so for me, my biggest fear would be accepting a role I thought I wouldn’t find the rhythm of.

I’ve got a role in the new Billy Bob Thornton movie that Billy Bob wrote and is going to direct called ‘Jayne Mansfield’s Car.’ I only have four scenes, but I have as much dialogue as anybody in the movie.

If something doesn’t work, it becomes obvious immediately. This just isn’t going to work.

Go forward bravely. Fear nothing. Trust in God; all will be well.

In God’s name let us go on bravely.

The implications, to me, are immense. I mean, how far can it go?

The Infinite cannot be measured. The plan of Nature is so immense, but she has no plan, no scheme, but to go on and on forever. What is size, what is time, distance, to the Infinite?

I feel like I wrote that. If I go in there and fix it, it’s almost like something I wrote.

My story is going to be completely different than someone else’s story in terms of hard work.