My understanding of the creative process is simply that all cultures and all concerns meet at a certain point, the human point in which everything is related to one another. That has been my creative experience.
WOLE SOYINKAMythology can be used, and has been used, even to re-state, you know, the very urgent problems of the world.
More Wole Soyinka Quotes
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I cannot accept the definition of collective good as articulated by a privileged minority in society, especially when that minority is in power.
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Colonialism bred an innate arrogance, but when you undertake that sort of imperial adventure, that arrogance gives way to a feeling of accommodativeness. You take pride in your openness.
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Books and all forms of writing are terror to those who wish to suppress the truth.
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I know there are writers who get up every morning and sit by their typewriter or word processor or pad of paper and wait to write. I don’t function that way. I go through a long period of gestation before I’m even ready to write.
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Let’s say there are prospects for a new Nigeria, but I don’t think we have a new Nigeria yet.
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We live in a materialist world, and materialism appeals so strongly to humanity, no matter where.
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A human feast is an indifferent morsel to a god.
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But the ultimate lesson is just sit down and write. That’s all.
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Culture is a matrix of infinite possibilities and choices. From within the same culture matrix we can extract arguments and strategies for the degradation and ennoblement of our species, for its enslavement or liberation, for the suppression of its productive potential or its enhancement.
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I rarely use mythology for its own sake because, as a theatre person, the mythological figures are in fact humanity to the ninth degree and Yoruba mythology in particular has fascination of being one of the most humanised mythologies in the world.
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There is something really horrific for any human being who feels he is being consumed by other people.
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I am convinced that Nigeria would have been a more highly developed country without the oil. I wished we’d never smelled the fumes of petroleum.
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Intolerance has always been with us, you know. The moment you have ideology, we have intolerance, whether it’s the secular ideology or, you know ideocratic ideology, which always brings with it some kind of intolerance.
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I am a very curious person; I’ll always ask: is this thing true, is it not true? And I use my own means to investigate and come to my conclusion.
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I believe that each writer must decide in which language he or she is most comfortable.
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