Nobody knows me – I’m incognito. It’s all new, all fun.
MF DOOMThe song ‘Bite the Thong’ in particular, with Damon Albarn, really encapsulates the whole dilemma of, ‘
More MF DOOM Quotes
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Hmm, should I stay on the underground when everybody else is selling out?’ Nowadays, you can just do it – have your name-brand clothes, do songs with rock n’ rollers – and it’s not considered selling out.
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Hip-hop is so saturated with the same old same old that people always expect the guy to actually be the guy. They want you to be real and straight from the streets and all that.
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I’m back – now watch this!’ It all boils down to the music. The mask is a slight theme for people to enjoy, and it adds mystery.
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Being older now, grown, I’m like, ‘What do we really do that’s fun?’ I’m kind of corny when you think about it. What could I rhyme about? Let me see, um, I gotta pay the rent today.
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I liked being able to speak to somebody and throw it back and forth, and they can’t predict what you’re going to say next.
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I can’t perform without the mask or be seen without it on stage, or else it’ll distract from the whole persona.
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I spent 35 years growing up in the U.S., and it had its ups and downs.
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The ‘Doom’ thing is to be able to come at things with a different point of view. I decided the mask would just add to the mystique of the character as well as make Doom stand out.
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I get that mainly from novels and that style of writing or movies where there’s multiple characters who carry the storyline.
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I liked different etymologies, different slang that came out in different eras. Different languages. Different dialects.
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I think – a lot of times in hip-hop, especially – artists get kind of pigeonholed into being ‘the guy,’ and it’s kind of limiting in a way.
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I might as well use it to control the story. So why not do something like throw a mask on?
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The idea of having different characters is really just to get the storyline across, you know? Coming from one particular character makes, to me, the story boring.
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Doom is a classic supervillain, akin to the Phantom of the Opera. It’s not about revenge so much as, like.
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Everybody nowadays rhymes, but out of the people that really, really do it well, it’s still a small community of artists.
MF DOOM