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At the age of fourteen I discovered writing as an escape from a world of reality in which I felt acutely uncomfortable.

Tennessee Williams

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Actually Age Discover Escape Felt Fourteen Reality Uncomfortable World Write

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

We are all of us born, live and die in the shadow of a giant question mark that refers to three questions: Where do we come from? Why? And where, oh where, are we going!
TENNESSEE WILLIAMS

All Born Come Die From Giant Live Mark Question Refer Shadow Us Where
The woman spread her legs, and made me look between them. All I could see was something that looked like a dyin’ orchid; consequently, I have never been comfortable around women or orchids.
TENNESSEE WILLIAMS

Between Comfortable Consequence Leg Look Made Orchid Something Spread Woman
I always said little Truman had a voice so high it could only be detected by bats.
TENNESSEE WILLIAMS

Always Bat Country Detect High Little People Person Say
The right condition for him is that in which his work in not only convenient but unavoidable.
TENNESSEE WILLIAMS

Condition Conventional Him Only Right Unavoidable Work
We’ve had this date with each other from the beginning.
TENNESSEE WILLIAMS

Beginning Date Each Other From Had
Men don’t want anything they get too easy. But on the other hand, men lose interest quickly.
TENNESSEE WILLIAMS

Anything Easy Get Hand Interset Lose Men Other Quickly Want
I have found it easier to identify with the characters who verge upon hysteria, who were frightened of life, who were desperate to reach out to another person.
TENNESSEE WILLIAMS

Another Character Desperate Easier Found Frightened Hysteria Identity Life Person Reach Upon Verge
We lose the magic whenever we stop telling our story and begin to wonder how we’re doing, if we’re selling it, if the listener likes us.
TENNESSEE WILLIAMS

Begin Do Like Listener Lose Magic Sell Stop Story Tell Wonder
Nobody sees anybody truly, but all through the flaws of their own ego.
TENNESSEE WILLIAMS

Age All Anybody Flaw Nobody Own See Thought Truly
A blindness to what is going on in each other’s hearts.
TENNESSEE WILLIAMS

Blindness Each Go Heart Other What
Blanche: No, I have the misfortune of being an English instructor. I attempt to instill a bunch of bobby-soxers and drugstore Romeos with a reverence for Hawthorne and Whitman and Poe!
TENNESSEE WILLIAMS

Ateemp Being Blanche Boddy Bunch Country Drugstore English Install Instructor Misfortune People Persons Sovxer
Yes, I have tricks in my pocket, I have things up my sleeve. But I am the opposite of a stage magician.
TENNESSEE WILLIAMS

Have Magician Opposite Pocket Sleeve Stage Thing Trick Yes
It is, perhaps more than anything else, the arrest of time which has taken place in a completed work of art that gives certain plays their feeling of depth and significance.
TENNESSEE WILLIAMS

Anything Arrest Certain Complete Depth Feel Give More Perhaps Place Significance Srt Taken Time Work
Add to those distortions to our own egos the corresponding distortions in the egos of others, and you see how cloudy the glass must become through which we look at each other.
TENNESSEE WILLIAMS

Cloudy Correspond Distortion Each Ego Look Other Own See Through
All cruel people describe themselves as paragons of frankness.
TENNESSEE WILLIAMS

All Cruel Frankness Paragon People Themselves
You see, baby, after a glass or two of wine I’m inclined to extravagance.
TENNESSEE WILLIAMS

Baby Eine Extravagance Glas Include See Two You

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