“I liked different etymologies, different slang that came out in different eras. Different languages. Different dialects.”

The idea of having different characters is really just to get the storyline across, you know? Coming from one particular character makes, to me, the story boring.

Hmm, should I stay on the underground when everybody else is selling out?’ Nowadays, you can just do it – have your name-brand clothes, do songs with rock n’ rollers – and it’s not considered selling out.

I though it’d be an easy way for people to see and differentiate between characters, sorta like when an actor gains weight for a role.

I think – a lot of times in hip-hop, especially – artists get kind of pigeonholed into being ‘the guy,’ and it’s kind of limiting in a way.

Nobody knows me – I’m incognito. It’s all new, all fun.

I make hip-hop, but use Doom as a character to convey stories that a normal dude can’t.

Ever since third grade, I had a notebook and was putting together words just for fun.

Everybody nowadays rhymes, but out of the people that really, really do it well, it’s still a small community of artists.

I’m always trying to show versatility. I’m juggling, and I’m flipping fire, and I’m chewing gum and rhyming at the same time… on a unicycle, while playing the drums.

I grew up in that age, and it was memorable. But I’m down with all of it. Chuck D or Danny Brown? I feel comfortable with all of them. Word up, kid! Word up, man!

I’m back – now watch this!’ It all boils down to the music. The mask is a slight theme for people to enjoy, and it adds mystery.

The ‘Doom’ thing is to be able to come at things with a different point of view. I decided the mask would just add to the mystique of the character as well as make Doom stand out.

I might as well use it to control the story. So why not do something like throw a mask on?

I liked being able to speak to somebody and throw it back and forth, and they can’t predict what you’re going to say next.

Being older now, grown, I’m like, ‘What do we really do that’s fun?’ I’m kind of corny when you think about it. What could I rhyme about? Let me see, um, I gotta pay the rent today.

I spent 35 years growing up in the U.S., and it had its ups and downs.

There wasn’t reparative therapy in Corinth. So in this passage I think people came to Christ and experienced a new life in him apart from the therapeutic process.

…all his longings came out as a kind of disdain for what he longed for.

I came to a stark realization: chronic surpluses could be almost as destabilizing as chronic deficits.

On the Greek frontier, one wasn’t sure what came next. So, don’t trust the telephone. Or the newspapers. Or the radio. Or tomorrow.

John Moncur has been much more effective since he came on

I started to itch to do a play again and ‘Macbeth’ came to the surface in my mind. I never thought I would do it in a conventional way. A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn’t interest me.

My experience came before most of you were born.

For many years my acting came from a place of surmounting some enormous obstacle.