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For me, it’s about becoming a mogul, owning my own projects, and establishing myself as a funding producer. That’s what’s big to me. The movies and all that stuff are great, but the fact that I’m in a position to do what I want to do, however I want to do it and when I want to do it is bigger.

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Best Man Holiday’ was a very successful film.
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These people are great because they just say, ‘I’ma do that,’ and they do it. That’s it. There’s no scientifical process.
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Whatever is on the page is what I’m married to. I’m very prepared. I’m a thespian. I don’t like to improv. I don’t like to go off course ’cause I think that’s where stuff happens. When you stick to the material ’cause it’s written so well, that’s where the magic happens.
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I had one incident where my daughter said that a girl asked if she was a brown person. I said, ‘We’re black.
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I’m good friends with Jay Leno, good friends with Ed O’Neill, Melanie Fiona and Russell Simmons.
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I never treat it like a job or feel that way. It’s the best thing ever to me, and I feel like a kid in a candy store.
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It’s very rare that you get a director that lets you be creative and bring what you feel your character should do or should be.
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I’m not the most attractive fella. I’m not a Billy Dee Williams. Personality is everything.
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I want to be respected as a guy who knows what he’s talking about. And that, to me, holds more weight than anything else.
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When you’re doing a film and the majority of the film is cast black, for me, it’s most important to get people to view those movies as just movies, as just good movies.
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