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What we need is something, a definition of a human, starting from the ground up, so that the suitable moral structure that goes around it makes sense.

Jerry Garcia

The thing I would like to be able to do is to make the music sound right no matter what it is. If somebody else wants to have a label for it, then that’s their business.
JERRY GARCIA

Able Business Else Label Make Matter Music Right Somebody Sound Thing
Run faster, jump higher, reach farther, and you’ll always win!
JERRY GARCIA

Always Faster Further Higher Jump Raech Run Win
I know when it happens. I know it when it happens every time.
JERRY GARCIA

Every Know Time When Happen
If something doesn’t work, it becomes obvious immediately. This just isn’t going to work.
JERRY GARCIA

Go Immediately Obvious Something Work
Partly. Part Of The Way You Can Tell You’re Alive Is By How Much Pain You’re Experiencing, Or How Little.
JERRY GARCIA

Alive Experience How Little Much Pain Part Partly Tell Way
The thing about music is that nobody listens to it unless it’s real. I don’t think that you can fool anybody for too long in music. And you certainly can’t fool everybody.
JERRY GARCIA

Anybody Certainty Everybody Fool Listen Long Music Useless
Listening. That’s what music is about. You hear it. And I’d listen to it and something would move me one way or another; and I would try and play it.
JERRY GARCIA

Listen Music What
We were just in line to see what was going to happen.
JERRY GARCIA

Going Happen Just Line See Were
We’re like licorice. Not everybody likes licorice, but the people who like licorice really like licorice.
JERRY GARCIA

Everybody Licorice Like People Really
See, there’s only two theaters, man that are set up pretty groovy all around for music and for smooth stage changes, good lighting and all that – the Fillmore and The Capitol Theatre. And those are the only two in the whole country.
JERRY GARCIA

Around Capitol Country Fillmore Grovy Man Pretty Smooth Stage Theatre Whole
And for me there’s still more material than 20 lifetimes that I can use up.
JERRY GARCIA

Lifetime Material More Still Twenty Use
You have to be ready, and also you have to discard notions that are fondly held by a lot of musicians, about sequences and notes and about scales and musical systems as a whole. If you think of music as a language, the space part is where you throw out all the syntax.
JERRY GARCIA

Also Discard Fond Held Lot Music Musician Notion Ready Seuemce System Whole
The context has to come from the human first, rather than bits and pieces of fragments of old religion and all of the old moral superstructure, whatever it used to be.
JERRY GARCIA

Bit Context First Fragment Human Moral Piece Rather Religion Superstructural
I mean, just because you’re a musician doesn’t mean all your ideas are about music.
JERRY GARCIA

Cities Government Mean
What we need is something, a definition of a human, starting from the ground up, so that the suitable moral structure that goes around it makes sense.
JERRY GARCIA

Allow Alone Happen Intention Make No Something Sort Way
The result, I think, is pretty interesting … we don’t expect to make a fortune at it or ever be popular or famous or worshipped or hit The Ed Sullivan Show or the circuses or the big top.
JERRY GARCIA

Big Circus Ever Expect Famous Fortune Interest Popular Pretty Result Show Sullivan Top Worship

What we need is something, a definition of a human, starting from the ground up, so that the suitable moral structure that goes around it makes sense.

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What we need is something, a definition of a human, starting from the ground up, so that the suitable moral structure that goes around it makes sense.

Related Topics

Popular Authors

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