In folk music, I’ve always been fond of the fragment. The song that has one verse. And you don’t know anything about the characters, you don’t know what they’re doing, but they’re doing something important. I love that. I’m really a sucker for that kind of song.
We’re not thinking about any kind of power. We’re not thinking about any kind of struggles. We’re not thinking about revolution or war or any of that. That’s not what we want.
If you go into a complete, like a cyberspace model of some type, in which… you know the discussion about the mind and the interaction between the mind and the universe as a holographic phenomenon.
See, there’s only two theaters, man that are set up pretty groovy all around for music and for smooth stage changes, good lighting and all that – the Fillmore and The Capitol Theatre. And those are the only two in the whole country.
What is life but being conscious? And good and evil are manifestations of consciousness. If you reject one, you’re not getting the whole thing that’s there to be had.
The context has to come from the human first, rather than bits and pieces of fragments of old religion and all of the old moral superstructure, whatever it used to be.
