To get really high is to forget yourself. And to forget yourself is to see everything else. And to see everything else is to become an understanding molecule in evolution, a conscious tool of the universe.
JERRY GARCIAIt’s much too late to do anything about rock & roll now.
More Jerry Garcia Quotes
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For me, the lame part of the Sixties was the political part, the social part. The real part was the spiritual part.
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I think that America is in danger of losing its adventurous spirit in the cause of some kind of illusion of safety, or substitute of law and order there.
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You can’t repeat things because each time is different. The universe has changed. Everything has changed.
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Cats on the bandstand, give them each a big hand, anyone who sweats like that must be all right.
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For me, I think the only danger is being too much in love with guitar playing. The MUSIC is the most important thing, and the guitar is only the instrument.
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I know when it happens. I know it when it happens every time.
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Magic is what we do, music is how we do it.
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The result, I think, is pretty interesting … we don’t expect to make a fortune at it or ever be popular or famous or worshipped or hit The Ed Sullivan Show or the circuses or the big top.
JERRY GARCIA -
I don’t know why, it’s the same reason why you like some music and you don’t like others. There’s something about it that you like. Ultimately I don’t find it’s in my best interests to try and analyze it, since it’s fundamentally emotional.
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People may need something to celebrate. They need a context in which to celebrate things. They need something that fills the void that’s left by the bankruptcy of religion and so forth.
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If we had any nerve at all, if we had any real balls as a society, or whatever you need, whatever quality you need, real character, we would make an effort to really address the wrongs in this society, righteously.
JERRY GARCIA -
You have to get past the idea that music has to be one thing.
JERRY GARCIA -
Nothing left to do but smile.
JERRY GARCIA -
If you think of music as a universal language, it still has some very powerful dialects.
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You have to be ready, and also you have to discard notions that are fondly held by a lot of musicians, about sequences and notes and about scales and musical systems as a whole. If you think of music as a language, the space part is where you throw out all the syntax.
JERRY GARCIA






