We feel such a strong connection to nature. But the relationship between nature and us is one-sided. There is no reciprocity. There is no mind on the other side of the wall.
ALAN LIGHTMANFor my students who are trying to learn the craft of writing in a writing class – contemporary literature is what’s most useful.
More Alan Lightman Quotes
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My writings are an exploration, and I think a lot of writers would tell you this, but in writing, you’re not simply putting down things that are already known to you. You’re actually discovering in the writing process, you’re actually creating knowledge.
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A world in which time is absolute is a world of consolation. For while the movements of people are unpredictable, the movement of time is predictable.
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The loved one will never take his arms from where they are now, will never give back the bracelet of memories, will never journey afar from his lover, will never place himself in danger of self-sacrifice.
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Despite our strongly felt kinship and oneness with nature, all the evidence suggests that nature doesn’t care one whit about us.
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I think what gets you through a small writing project, is just one burst of inspiration.
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If you told a story that was all darkness, it wouldn’t be real.
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And beyond any particular clock, a vast scaffold of time, stretching across the universe, lays down the law of time equally for all.
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We’ve lost our way, we have lost our centeredness.
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But what is the past? Could it be, the firmness of the past is just illusion? Could the past be a kaleidoscope, a pattern of images that shift with each disturbance of a sudden breeze, a laugh, a thought? And if the shift is everywhere, how would we know?
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If you think about fiction writing as a spectrum, where at one end of the spectrum in the infrared, are the story tellers, and the people for whom creation of wonderful characters and telling a good story is the most important thing.
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I love the fact publishers are still publishing unprofitable material. It’s a challenge to the powers that be. It’s saying there is a real literature in this country and we will keep publishing it.
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I think once we stop asking questions like “what is the age of the universe,” or “how are the instructions of DNA carried out on a microscopic level,” once we stop asking questions like that, we’re dead.
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At every point of decision, the world splits into three worlds, each with the same people, but different fates for those people. In time, there are an infinity of worlds.
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That’s an exciting thing. In a class of fifteen there are usually two very good writers, equal to good student writers anywhere in the country. Those two make the class wonderful.
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I think it is always a long shot getting a book made into a film.
ALAN LIGHTMAN






