If the president of the country is not actually saying something, allowing equality to happen, how could you expect to counsel kids not to bully other kids?
ALAN CUMMINGOften for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, “I could sing that song. I’ve got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs.
More Alan Cumming Quotes
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It is actually important to do songs they’re familiar with. Also, I love those songs. In a way, I think I’ve changed people’s perceptions of what a cabaret show like this could be.
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Once in a while it’s good to challenge yourself in a way that’s really daunting.
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Finally, the scariest thing about abuse of any shape or form, is, in my opinion, not the abuse itself, but that if it continues it can begin to feel commonplace and eventually acceptable.
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I was horrified when Richard Chamberlain and Rupert Everett said gay actors should stay in the closet. They were saying to people that they should live a lie and not be liberated, to live in fear of being found out.
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You could then, when you lay that as the groundwork, say, “Here I am. This is what I think. I come in peace.” Then you’re able to push out, to be able to talk about more things. And that’s been a really heartening thing about my life, actually.
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Working with good people is always good.
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Be who you like as long as you mean it.
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When you’re on TV, you come into people’s homes. In theater and film, they go to you – to the temple of the cinema or theater. And it’s very different.
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It’s exciting to be with really, really good people. Some people make you feel like you’ve got to up your game.
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It just seems to me that it’s hypocritical for us as a culture to say, “Bullying is a terrible thing,” when really, they are just reflecting what the society is doing.
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I’ve actually found – especially doing my cabaret show – I’m connecting with people in a way I haven’t connected with them. I’ve found that when you’re open and honest, people respond to that, whatever you’re being open and honest about.
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Actually I like working kind of fast, because if you got it, why bother doing it over and over?
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I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it’s interesting that there’s this gaping hole in the repertoire in the American theater, which is Shakespeare.
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I don’t feel I’m a compulsive person. I multitask. I’m really well-organised, and I have lots of people to help me.
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You’ll see Dame Judi Dench in a Bond film, in Shakespeare and then starring in her own sitcom. You never see that here with Meryl Streep.
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You should *have* an experience; it shouldn’t just *be* an experience.
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It’s interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That’s what I mean. Also, of course, it means that I’m slightly setting up the audience that there’s a bit of fun involved, as well.
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It’s actually quite a good ethos for life: go into the unknown with truth, commitment, and openness and mostly you’ll be okay.
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In terms of the sort of class, and the sort of snobby, slightly on the back-foot thing Britain has. But it’s much more prevalent in America.
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It’s hardly ever done, compared to how often it’s done in other companies, not just Britain. Someone from the Roundabout Theater Company – I said, “You never do Shakespeare.” And he said, “Yes, we’re not very good at it.” And I thought, “What a terrible thing to say.”.
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I like working on things that are very different and that involve different disguises.
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If they’re not seeing that their society sees gay people as equals, how could you tell them what they’re doing is wrong?
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Some things are just really difficult to do. That’s what I find hard. I usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.
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With Urban Secrets, I just really liked the idea of wandering around chatting to people.
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Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, “I could sing that song. I’ve got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs.
ALAN CUMMING