To the point that I have to be careful that they don’t take over.
ALAN LIGHTMANThe great ideas in science, like the Cro-Magnon paintings and the plays of Shakespeare, are part of our cultural heritage.
More Alan Lightman Quotes
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Some say it is best not to go near the center of time.
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In fiction writing, I would say there are several different strands that have been woven through my own writing, and each influenced by a different group of writers.
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One day I’m going to write a book about osprey. It has really gotten deep into my bloodstream. So when you ask what else I do, I feel like this is part of what I do….is to watch these birds.
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Their predictions become postdictions- Their equations become justifications, their logic, illogic.
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I would do something and let it sit for three months… just brood about and decide I needed to slightly change something here or there. Or one character wasn’t quite right. But I think everybody goes through this.
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The tragedy of this world is that everyone is alone. For a life in the past cannot be shared with the present.
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Novels aren’t pedagogical instruments, or instructions in law or physics or any other discipline.
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We don’t have the time, literally, to think during the day. To listen to ourselves think. To think about where we are going, who we are, what’s important.
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The future is pattern, organization, union, intensification; the past, randomness, confusion, disintegration, dissipation.
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In our constant search for meaning in this baffling and temporary existence, trapped as we are within our three pounds of neurons,
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I think all tragedies are best told with some humor. You have to relieve the darkness to let the reader get through it. Also, that life has happiness and sadness mixed together.
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I picked such seemingly disparate essays, I thought it was important to say what was the guiding principle in the selection rather than focus on any one essay.
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The tragedy of this world is that everyone is alone. For a life in the past cannot be shared with the present. Each person who gets stuck in time gets stuck alone.
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But what is the past? Could it be, the firmness of the past is just illusion? Could the past be a kaleidoscope, a pattern of images that shift with each disturbance of a sudden breeze, a laugh, a thought? And if the shift is everywhere, how would we know?
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They would rather have an eternity of contentment, even if that eternity were fixed and frozen, like a butterfly mounted in a case.
ALAN LIGHTMAN