“I expect them to have read books – there are a lot of people like that! That’s my audience.”

The best Paris I know now is in my head.

I invented the historical spy novel.

I’m not really a mass market writer.

I don’t just want my books to be about the ’30s and ’40s. I want them to read as if they had been written then. I think of them as ’40s novels, written in the conservative narrative past.

You write a lot of books; you hope you get better.

I read very little contemporary anything.

I write what I call ‘novels of consolation’ for people who are bright and sophisticated.

It takes me three months of research and nine months of work to produce a book.

If you’re a writer, you’re always working.

I have a very serious censorship office inside my head; it censors things that I could tell you that you would never forget, and I don’t want to be the person to stick that in your brain.

Live today, for tomorrow we die.

Wherever God has planted you, you must know how to flower – translated from a French saying

And, with much of Europe occupied by Nazi Germany, and Mussolini’s armies in Albania.

I’m basically an Upper West Side Jewish writer.

I’m a genre writer.

I don’t really write plots. I use history as the engine that drives everything.

Keep making music.. Keep improving your music.. If there’s no viral action on your music, you’re just not good enough. Don’t get mad at the audience, get mad at yourself. Either give up or get better.

I know doing movies is where I need to be. That’s where my audience wants to see me.

I see the footlights in front of me. I hear the whisperings of the audience. I feel an icy shudder. Win or die! Now or never! It’s the crisis of my life.

Behind the proscenium arch, you can’t always hear what people in the audience are saying.

After the band loaded in and the curtain opened, we realized there was exactly one paying customer in the audience.

When you’re doing stand-up, you achieve an intimacy with the audience you can’t get on TV. There’s not a better feeling in the entire world then when you look out and see the audience is identifying with you.

I’ve always been lucky enough to have great audiences. It has been quite a life.

Maybe the actors that used to turn down William Goldman’s scripts – where he wanted them to stretch and grow, and he was mad at ’em, and said, “Why won’t they be a real actor?” – maybe they just knew their audience. It’s too bad.