I usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.
ALAN CUMMINGWith Urban Secrets, I just really liked the idea of wandering around chatting to people.
More Alan Cumming Quotes
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I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it’s interesting that there’s this gaping hole in the repertoire in the American theater, which is Shakespeare.
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It’s really rare for film directors to be that interested in things other than themselves.
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I don’t avoid anyone but I always think some people hate me.
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He … knew, in that instant, that his life would not be an easy one-he was different, he looked different, he thought differently.
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It’s about how you exist as a person in the world, and the idea that your work is more important than you as a person is a horrible, horrible message.
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A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn’t interest me.
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It’s interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That’s what I mean. Also, of course, it means that I’m slightly setting up the audience that there’s a bit of fun involved, as well.
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I think people deny themselves by putting themselves into categories.
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Some things are just really difficult to do. That’s what I find hard. I usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.
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In my first year at drama school, I did this kids’ show called ‘Let’s See.
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So if I’m swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don’t want to be a crap cartoon character. I want to be proud I’m a vitamin!
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I think American actors are much more intimidated by Shakespeare.
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Actors aren’t stupid, mostly, and if there’s a sensibility and an aesthetic that a director’s going for, if you’re aware of that too, you can do things to help that.
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When you’re on TV, you come into people’s homes. In theater and film, they go to you – to the temple of the cinema or theater. And it’s very different.
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I actually find in America, there’s a slight snobbery about actors who go back and forth between big heavy dramas and popcorn fare. That always intrigues me, because that doesn’t exist in the same way in Britain. And I imagine it would be worse.
ALAN CUMMING