“My favorite kind of film is serious comedy. Comedy with serious underpinning.”

I want to feel sympathetic and close to others, not opposed to them.

Two-thirds of American movies are extensions of commercials — they tell you how to feel and they tell you how to think — rather than letting you figure it out on your own.

I know that if I can’t move people, then I have no business being an actor.

Hollywood is a strange place. The class structure here is more rigid than almost anyplace I’ve ever experienced. It’s made more difficult by the fact that it’s constantly changing.

I gotta keep busy. I’m not happy unless I’m working on two, three things.

It keeps it more of a surprise. I don’t feel like it has to be a mystery.

You know what Andy Warhol’s sole contribution to this country has been? He made Campbell’s Soup a household word.

As hard as it is in your work, it’s harder in your life. But it can be done.

Either you’re growing or you’re decaying; there’s no middle ground. If you’re standing still, you’re decaying.

I had a bunch of lean years where I had to do things, a lot of which I wasn’t wildly enthusiastic about.

I’ve always considered myself an actor, but I wasn’t making a living as an actor.

Ten years ago, it would have been impossible to imagine a Cockney singing group with a Southern Negro style and Indian and electronic music.

All I can say is if the part doesn’t delight me in some way, or I can’t feel any compassion for it, I just can’t do it.

Things are never going to turn out how you think they will.

A product is most easily sold when it has an identity. So they wrap you all up and put a label on you.

Even at that age, six and seven and eight, why I was moved by certain things they did