I actually find in America, there’s a slight snobbery about actors who go back and forth between big heavy dramas and popcorn fare. That always intrigues me, because that doesn’t exist in the same way in Britain. And I imagine it would be worse.
ALAN CUMMINGI don’t feel I’m a compulsive person. I multitask. I’m really well-organised, and I have lots of people to help me.
More Alan Cumming Quotes
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I think American actors are much more intimidated by Shakespeare.
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You’ll see Dame Judi Dench in a Bond film, in Shakespeare and then starring in her own sitcom. You never see that here with Meryl Streep.
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He … knew, in that instant, that his life would not be an easy one-he was different, he looked different, he thought differently.
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Finally, the scariest thing about abuse of any shape or form, is, in my opinion, not the abuse itself, but that if it continues it can begin to feel commonplace and eventually acceptable.
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Actually I like working kind of fast, because if you got it, why bother doing it over and over?
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You could then, when you lay that as the groundwork, say, “Here I am. This is what I think. I come in peace.” Then you’re able to push out, to be able to talk about more things. And that’s been a really heartening thing about my life, actually.
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I don’t feel I’m a compulsive person. I multitask. I’m really well-organised, and I have lots of people to help me.
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I’m Scottish first, and it’s odd to hear that I’m a Scottish-American.
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I was so scared of going back to the theatre after Hamlet. I didn’t know if I’d do a play again because I was afraid of the power of it.
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I wouldn’t do my roles if I really hated it. I’ve done things I hated, but I didn’t go into them thinking I would hate them. I want to have fun. I don’t want to go to work and not enjoy it.
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With Urban Secrets, I just really liked the idea of wandering around chatting to people.
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Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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I had to be a grown-up when I should have been a little boy, and now that I’m a grown-up my little-boyness has exploded out of me. I’ve lived my life backwards.
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Actors aren’t stupid, mostly, and if there’s a sensibility and an aesthetic that a director’s going for, if you’re aware of that too, you can do things to help that.
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It’s actually quite a good ethos for life: go into the unknown with truth, commitment, and openness and mostly you’ll be okay.
ALAN CUMMING