I have no regrets in my life even the crazy things I’ve been in. It all made me the I am today and I wouldn’t change anything. I’m happy with who I am!
ALAN CUMMINGI don’t feel I’m a compulsive person. I multitask. I’m really well-organised, and I have lots of people to help me.
More Alan Cumming Quotes
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With Urban Secrets, I just really liked the idea of wandering around chatting to people.
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There are some days when you don’t feel like being Alan Cumming.
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I like working on things that are very different and that involve different disguises.
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Performing a one-man Macbeth feels like the greatest challenge.
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I was so scared of going back to the theatre after Hamlet. I didn’t know if I’d do a play again because I was afraid of the power of it.
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I had to be a grown-up when I should have been a little boy, and now that I’m a grown-up my little-boyness has exploded out of me. I’ve lived my life backwards.
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If the president of the country is not actually saying something, allowing equality to happen, how could you expect to counsel kids not to bully other kids?
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I like the tragedies way more than the comedies because they’re so universal.
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You should *have* an experience; it shouldn’t just *be* an experience.
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I love a film where I get squished by two dumpsters or I fly through the air.
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In terms of the sort of class, and the sort of snobby, slightly on the back-foot thing Britain has. But it’s much more prevalent in America.
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So if I’m swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don’t want to be a crap cartoon character. I want to be proud I’m a vitamin!
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You’ll see Dame Judi Dench in a Bond film, in Shakespeare and then starring in her own sitcom. You never see that here with Meryl Streep.
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A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn’t interest me.
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Actors aren’t stupid, mostly, and if there’s a sensibility and an aesthetic that a director’s going for, if you’re aware of that too, you can do things to help that.
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If you are a cabaret artist and you are mostly singing other people’s songs, you’re asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it’s a song they know very well.
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I think people deny themselves by putting themselves into categories.
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Most people will never know anything beyond what they see with their own two eyes.
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I’ve actually found – especially doing my cabaret show – I’m connecting with people in a way I haven’t connected with them. I’ve found that when you’re open and honest, people respond to that, whatever you’re being open and honest about.
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The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story’s going to end and how it’s going to go. But on television nobody knows what’s going to happen, even the writers.
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Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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Pantomime is a big thing in the cultural calendar of my country, you know. So subtlety’s not my forte.
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Actually I like working kind of fast, because if you got it, why bother doing it over and over?
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Macbeth was the first play I ever read.
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Sometimes people get really sniffy about the films you choose if you’ve done more dramatic projects or you’re classically trained.
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It’s interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That’s what I mean. Also, of course, it means that I’m slightly setting up the audience that there’s a bit of fun involved, as well.
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