“Sometimes I get insecure about being a real director because I look at the great directors, and they have such command. But maybe that keeps me critical of myself. Maybe it keeps me moving forward.”

Every single director-actor I talked to, from Warren Beatty to Clint Eastwood to George Clooney, said the biggest mistake they made is not shooting enough footage of themselves.

I feel like fame is wasted on me.

I remember back when I was a kid there was a comic strip called Plastic Man. His body was elastic and he could make his extremities as long as he wanted. As a youngster I didn’t fully appreciate. But I’m now thinking Plastic Man was probably pretty popular with the ladies.

I’m always described as ‘cocksure’ or ‘with a swagger,’ and that bears no resemblance to who I feel like inside. I feel plagued by insecurity.

There’s a lot of noise in the world, and the internet magnifies that energy.

I’m human, just like anybody else.

Just because a lot of people know something nominal doesn’t make it important. A lot of people know what a pencil sharpener is, but that doesn’t make it the most important invention of the 20th century.

There is currency to celebrity, or celebrity is a currency. You can spend it in a lot of ways, or you can squander it. You can be taxed, as well. I really started thinking long and hard about how to use that currency as long as I had it.

I try to cast really good actors and give them a chance to do their very best work, give them as much time and space as they need.

One guy told me I was a great actor, I just would never be on the cover of a magazine.

I like the incongruity of how in Iran, these people we think of as being revolutionaries or fanatics or whatever are just as aware of Luke Skywalker and Darth Vader as our people are back home.

When I look up at the screen and see myself I always have to laugh. Not because I think I’m doing a horrible job, quite the contrary, I just feel it’s so surreal to feel like one person can entertain so many at one time.

I’m much more interested in what an actor has to say about something substantial and important than who they’re dating or what clothes they’re wearing or some other asinine, insignificant aspect of their life.

I have three women in the house. I get to be wrong three times a day.

If I ever woke up with a dead hooker in my hotel room, Matt would be the first person I’d call.

Studios are used to have an investment in you, an actual, literal investment in an actor. You paid them some money, you had a contract with them and you were almost like a commodity.