Getting to the top has an unfortunate tendency to persuade people that the system is OK after all.
ALAIN DE BOTTONOne of our major flaws, and causes of unhappiness, is that we find it hard to take note of appreciate and be grateful for what is always around us. We suffer because we lose sight of the value of what is before us and yearn, often unfairly, for the imagined attraction elsewhere.
More Alain de Botton Quotes
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The challenge of modern relationships: how to prove more interesting than the other’s smartphone.
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The greatest works of art speak to us without knowing us.
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Politics is so difficult, it’s generally only people who aren’t quite up to the task who feel convinced they are.
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After 40 (old age for most of man’s history), one should strive to be more or less packed and ready to go were the end call to come.
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To be shown love is to feel ourselves the object of concern: our presence is noted, our name is registered, our views are listened to, our failings are treated with indulgence and our needs are ministered to. And under such care, we flourish.
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We may seek a fortune for no greater reason than to secure the respect and attention of people who would otherwise look straight through us.
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Mental health: having enough safe places in your mind for your thoughts to settle.
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It’s perhaps easier now than ever before to make a good living; it’s perhaps harder than ever before to stay calm, to be free of career anxiety.
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Dreams reveal we never quite get ‘over’ anything: it’s all still in there somewhere.
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There’s a whole category of people who miss out by not allowing themselves to be weird enough.
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Art cannot single-handedly create enthusiasm… it merely contributes to enthusiasm and guides us to be more conscious of feelings that we might previously have experienced only tentatively or hurriedly.
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There are selections so acute that they come to define a place, with the result that we can no longer travel through that landscape without being reminded of what a great artist noticed there.
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The mind may be reluctant to think properly when thinking is all it is supposed to do; the task can be as paralysing as having to tell a joke or mimic an accent on demand.
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Most of what makes a book ‘good’ is that we are reading it at the right moment for us.
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The very act of drawing an object, however badly, swiftly takes the drawer from a woolly sense of what the object looks like to a precise awareness of its component parts and particularities.
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