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Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.

Alain de Botton

William James once made an acute point about the relationship between happiness and expectation. He argued that satisfaction with ourselves does not require us to succeed in every endeavour.
ALAIN DE BOTTON

Acute Between Endeavour Expectation Happiness Made Point Relationship
We will cease to be angry once we cease to be so hopeful.
ALAIN DE BOTTON

Angry Cease Hopeful Once
Our minds are susceptible to the influence of external voices telling us what we require to be satisfied, voices that may drown out the faint sounds emitted by our souls and distract us from the careful, arduous task of accurately naming our priorities.
ALAIN DE BOTTON

Drown External Influence Mind Require Satisfy Susceptible Tell Voice
These inventors were elevating the formulation of entrepreneurial ideas to the status of a visionary activity. Though forced to justify their efforts in the pragmatic language of venture capital, they were at heart utopian thinkers intent on transforming the world.
ALAIN DE BOTTON

Activity Elevate Entrepreneur Force Formulation Ide Intent Inventor Vision World
Politics is so difficult, it’s generally only people who aren’t quite up to the task who feel convinced they are.
ALAIN DE BOTTON

Convince Difficult Feel Generally Only People Politics Quite Task
Maturity: the confidence to have no opinions on many things.
ALAIN DE BOTTON

Confidence Many Maturity Opinion Thing
Literature is the greatest reality simulator – a machine that puts you through infinitely more situations than you can ever directly witness.
ALAIN DE BOTTON

Direct Great Literature Machine Put Reality Simulator Witness
The greatest works of art speak to us without knowing us.
ALAIN DE BOTTON

Greatest Speak Without Know Work
We study biology, physics, movements of glaciers… Where are the classes on envy, feeling wronged, despair, bitterness.
ALAIN DE BOTTON

Biology Bitterness Class Envy Feeling Glacier Movement Physics Wrong
We need objects to remind us of the commitments we’ve made. That carpet from Morocco reminds us of the impulsive, freedom-loving side of ourselves we’re in danger of losing touch with. Beautiful furniture gives us something to live up to. All designed objects are propaganda for a way of life.
ALAIN DE BOTTON

Carpet Commitment Freedom Impulsive Need Object Remind
Once I began to consider everything as being of potential interest, objects released latent layers of value.
ALAIN DE BOTTON

Began Consider Everything Interest Object Potential Release Value
Paying tax should be framed as a glorious civic duty worthy of gratitude – not a punishment for making money.
ALAIN DE BOTTON

Civic Duty Frame Glorious Gratitude Make Money Pay Punishment Tax Worthy
Maturity: knowing where you’re crazy, trying to warn others of the fact and striving to keep yourself under control.
ALAIN DE BOTTON

Control Crazy Know Maturity Try Under
We should read other people’s books in order to learn what we feel; it is our own thoughts we should be developing, even if it is another writer’s thought that help us to do so.
ALAIN DE BOTTON

Book Help Hope Order Other People Reckless
to design means forcing ourselves to unlearn what we believe we already know, patiently to take apart the mechanisms behind our reflexes and to acknowledge the mystery and stupefying complexity of everyday gestures like switching off a light of turning on a tap
ALAIN DE BOTTON

Already Behaviour Design Force Mechanism Ourselves Patiently Unlearn
One of our major flaws, and causes of unhappiness, is that we find it hard to take note of appreciate and be grateful for what is always around us. We suffer because we lose sight of the value of what is before us and yearn, often unfairly, for the imagined attraction elsewhere.
ALAIN DE BOTTON

Appreciate Cause Flaw Grateful Major Unhappiness

Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.

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Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.

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Popular Authors

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