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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.

Alain de Botton

As we write, so we build: to keep a record of what matters to us.
ALAIN DE BOTTON

Built Matter Record Write
How generous was it to offer gifts to people one knew would never accept them?
ALAIN DE BOTTON

Accept Generous Gift never Offer People
Man seems merely dust postponed: the sublime as an encounter – pleasurable, intoxicating, even – with human weakness in the face of strength, age and size of the universe.
ALAIN DE BOTTON

Encounter Human Intoxicate Man Merely Pleasurable Postpone Seem Sublime Weakness
Do you love me enough that I may be weak with you? Everyone loves strength, but do you love me for my weakness? That is the real test.
ALAIN DE BOTTON

Enough Everyone Love May Real Strength Test Weakness Wek You
…if the beginnings of love and amorous politics are equally rosy, then the ends may be equally bloody.
ALAIN DE BOTTON

Amorous Beginning Bloody End Equally Love Politics
Endeavoring to purchase something we think beautiful may in fact be the most unimaginative way of dealing with the longing it excites in us, just as trying to sleep with someone may be the bluntest response to a feeling of love.
ALAIN DE BOTTON

Beautiful Deal Endeavor Feeling Long Love Purchase Response Something Think Way
Getting to the top has an unfortunate tendency to persuade people that the system is OK after all.
ALAIN DE BOTTON

After All Get OK People System Tendency Top Unfortunate
The inability to live in the present lies in the fear of leaving the sheltered position of anticipation or memory, and so of admitting that this is the only life that one is ever likely (heavenly intervention aside) to live.
ALAIN DE BOTTON

Admit Anticipation Fear Inability Leave Lie Memory Position Present Shelter
Yet often, they know but just don’t care. So the task of serious journalism isn’t just to lay out truths. It is to make vital truths compelling to a big audience.
ALAIN DE BOTTON

Audience Big Compell Truth Vital
It looks like it’s wasting time, but literature is actually the ultimate time-saver – because it gives us access to a range of emotions and events that it would take you years, decades, millennia to try to experience directly.
ALAIN DE BOTTON

Access Emotion Like Literature Look Range Saver Time Ultimate Waste
Unnatural to expect that learning to be happy should be any easier than, say, learning to play the violin or require any less practice.
ALAIN DE BOTTON

Easier Except Happy Learn Less Play Practice Require Unnatural Violin
Rage is caused by a conviction, almost comic in its optimistic origins (however tragic in its effects), that a given frustration has not been written into the contract of life.
ALAIN DE BOTTON

Almost Cause Comic Conviction Frustration Optimistic Origin Rage
The only people we can think of as normal are those we don’t yet know very well.
ALAIN DE BOTTON

Normal Very Only People Think Well
The dream of the news is that it makes us care about other people and situations. But we cannot identify with people to whom we haven’t been introduced. Humans will only respond to art, to people who are skilled in making you care.
ALAIN DE BOTTON

Art Care Dream False Idea Identify Make News People
The longing for a destiny is no nowhere stronger than in our romantic life. All too often forced to share our bed with those who cannot fathom our soul, can we not be forgiven if we believe ourselves fated to stumble one day upon the man or woman of our dreams.
ALAIN DE BOTTON

Bed Destiny Force Life Long Nowhere Often Ourselves Romantic Share Stronger Stumble
Envy: a confused, tangled guide to one’s own ambitions.
ALAIN DE BOTTON

Ambition Confuse Envy Tangle

It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.

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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.

Related Topics

Popular Authors

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