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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.

Alain de Botton

The materialistic view of happiness of our age starkly revealed in our understanding of the word “luxury.
ALAIN DE BOTTON

Age Happiness Luxury Materialistic Reveal Starkly Understanding
For paranoia about ‘what other people think’ : remember that only some hate, a very few love – and almost all just don’t care.
ALAIN DE BOTTON

Almost Care Few Hate Love Paranoia People Remember Think
The arrogance that says analysing the relationship between reasons and causes is more important than writing a philosophy of shyness or sadness or friendship drives me nuts. I can’t accept that.
ALAIN DE BOTTON

Analyse Arrogance Cause Important More Philosophy Reason Relationship Say Write
What is a snob? A snob is anybody who takes a small part of you and uses that to come to a complete vision of who you are. That is snobbery.
ALAIN DE BOTTON

Anybody Complete Part Small Snob Take Use Vision
Insomnia is a glamorous term for thoughts you forgot to have in the day.
ALAIN DE BOTTON

Dance Forgot Glamorous Insomnia Term Thought
In the oasis complex, the thirsty man images he sees water, palm trees, and shade not because he has evidence for the belief, but because he has a need for it. Desperate needs bring about a hallucination of their solution: thirst hallucinates water.
ALAIN DE BOTTON

Belief Complex Evidence Man Oasis Palm Thirsty Tree Water
Most of our childhood is stored not in photos, but in certain biscuits, lights of day, smells, textures of carpet.
ALAIN DE BOTTON

Biscuit Carpet Childhood Day Light Most Photo Smell Store Texture
Being content is perhaps no less easy than playing the violin well: and requires no less practice.
ALAIN DE BOTTON

Content Less Perhaps Play Practice Require Well
The blunt large questions become connected to smaller, apparently esoteric ones.
ALAIN DE BOTTON

Apparently Blunt Connect Esoteric Larger One Question Smaller
We are like an exquisite high-speed aircraft which for lack of a tiny part is left stranded beside the runway, rendered slower than a tractor or bicycle.
ALAIN DE BOTTON

Aircraft Bicycle Exquisite Render Runway Speed Tractor
Most of us still caged within careers chosen for us by our not entirely worldly 18-22 year old selves.
ALAIN DE BOTTON

Cage Career Chosen Entirely Most Old Selve Still
Those who divorce aren’t necessarily the most unhappy, just those neatly able to believe their misery is caused by one other person.
ALAIN DE BOTTON

Belive Cause Divorce Most Neat Necessary Other Unhappy
What I want to argue for is not that we should give up on our ideas of success, but that we should make sure that they are our own. We should focus in on our ideas and make sure that we own them, that we’re truly the authors of our own ambitions.
ALAIN DE BOTTON

Ambition Argue Author Focus Idea Make Own Success Sure Want
It’s as though either you accept [religious] doctrine and then you can have all the nice stuff, or you reject the doctrine and you’re living in some kind of spiritual wasteland under the guidance of CNN and Walmart.
ALAIN DE BOTTON

Accept Afford Desire Either Grow Poorer Possess Relative Resource Rich Something Time
The challenge for a human now is to be more interesting to another than his or her smartphone.
ALAIN DE BOTTON

Challenge Human Interest More Now Smartphone
The only way to be happy is to realise how much depends on how you look at things
ALAIN DE BOTTON

Depend Happy Look Only Realise Thing Way

It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.

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Popular Authors

It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.

Related Topics

Popular Authors

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