“I was playing a part of someone dealing dope on a street corner – and there was a guy actually dealing heroin right there. I looked at him, he looked at me, and I got real confused.”

I destroy the painting as soon as I can see what it is. When I can make out something in it,

I think what you see [in Salome the play backstage] is an artist having this fit of temperament.

After looking at Salomaybe, I don’t know who the hell the real me is. I think it’s closest now to the real me because for one thing, I’m used to this.

When I was younger, there was the sex thing. That’s par for the course.When you’re a movie star, it went with it. It’s a kind of rite of passage, socially.

[Ocean’s Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids.

I come from the South Bronx – a true descendant of the melting pot. I grew up in a really mixed neighborhood; it was a very integrated life.

It’s childish. It’s also responsible. It’s illuminating, enriching, joyful, drab. It’s bizarre, diabolical. It’s exciting.

My first language was shy. It’s only by having been thrust into the limelight that I have learned to cope with my shyness.

I was quite overtaken by success and fame. I was one of those types who responded to it in a negative way. It was not easy.

When I was younger, I would go to auditions to have the opportunity to audition, which would mean another chance to get up there and try out my stuff.

Be careful how you judge people, most of all friends. You don’t sum up a man’s life in one moment.

Our life is looking forward or looking back, that’s it. Where is the moment?

And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.

Learning (Shakespeare’s plays) …in school was a bit of a bore.

The story of Salome, the play itself and what it is, what it contains, and my journey as an actor, as a director, as a filmmaker, as a person struggling with whatever I’m struggling with.

Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.

There is only one corner of the universe you can be certain of improving, and that is your own self. So you have to begin there, not outside, not on other people. That comes afterwards, when you have worked on your own corner.

If people around you aren’t going anywhere, if their dreams are no bigger than hanging out on the corner, or if they’re dragging you down, get rid of them.

I went to Cambridge and thought I would stay there. I thought I would quietly grow tweed in a corner somewhere and become a Don or something.

We don’t know what’s around the corner – and we must do everything to ensure we get our country’s debts down, building our resilience so we don’t repeat the mistakes of the past.

The methods it employs with such acumen, persistency, and secrecy are employed by all sorts of business men, from corner grocers up to bankers. If exposed, they are excused on the ground that this is business.

It is one to say you have faith and another to be in a tight corner and prove it.

When you walk the track and you see a corner and realise you were going round it at 160mph, you wonder who could be so stupid to take a corner at that speed. But in the car, you don’t even think about that.

I do not deny that many appear to have succeeded in a material way by cutting corners and by manipulating associates, both in their professional and in their personal lives.