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Actually, the person I related to was James Dean. I grew up with the Dean thing. Rebel Without A Cause had a very powerful effect on me.

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You never open your mouth until you know what the shot is.
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We live in a world where the more you’re working, the more things you do. It’s a workaday world.
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I destroy the painting as soon as I can see what it is. When I can make out something in it,
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I had these little babies [my twins] and it gave me something so spectacular, such a feeling – I was so turned on and so excited by them that I wrote a poem.
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The thing that can get you a little upset is when people say other people are better than you. That can bug you.
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Women have always had equal importance onstage, and working with them must have altered my sensibilities.
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It was her way of getting out, and she would take me with her. I’d go home and act all the parts.
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