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Unlike so many Dylan-writer-wannabes and phony ‘encyclopedia’ compilers, Sean Wilentz makes me feel he was in the room when he chronicles events that I participated in.

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And a little slate that came out of the wall that you could actually write on. And a door that locked from the outside.
AL KOOPER

Actual Came Door Little Lock Out Outside Slate Wall Write
I believe Irving Berlin was there, and uh, and everything just centered around there.
AL KOOPER

Around Believe Center Country Everything Just Live
You couldn’t help being influenced by Dylan.
AL KOOPER

Being Help Influence Person
I think it was Columbia politics, Columbia Records politics that, that, Tom Wilson left [Bob Dylan] after “Like A Rolling Stone”.
AL KOOPER

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I don’t care, turn the organ up, and that’s really how I became an organ player.
AL KOOPER

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The “Highway 61” album [of Bob Dylan] was produced by Bob Johnston if I’m not incorrect. And Bob Johnston was an entirely different producer than Tom Wilson.
AL KOOPER

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The [Bob] Dylan sessions were very disorganized, to say the least. I mean, the “Like A Rolling Stone” session I was invited by the producer to watch.
AL KOOPER

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Still being ambitious to want to play on the record, I was a mediocre keyboard player. And uh, I seized the opportunity and played the organ.
AL KOOPER

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I mean just out and out crooks. And the next generation had a little more finesse. But I mean those first wave of people, you know, definitely would take all your money, no doubt about it.
AL KOOPER

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I liked being challenged by music. It’s good for me.
AL KOOPER

Challenge For God Like Me Music
The first generation from the ’50s that were in 1650 [Broadway] were pretty much all crooks,
AL KOOPER

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Unlike so many Dylan-writer-wannabes and phony ‘encyclopedia’ compilers, Sean Wilentz makes me feel he was in the room when he chronicles events that I participated in.
AL KOOPER

Chronicle Compiler Event Feel Intelligent Many Participate Research Room So Unlike
At the end of the playback of the take of “Like A Rolling Stone”, or actually during the thing.
AL KOOPER

Actual During End Like Playback Rolling Stone Take Thing
So I would come in on the upbeat of one. I would wait until the band played the chord, and then as quickly as I could come in play the chord.
AL KOOPER

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Musically Bob [Dylan] is a primitive. He’s not a Gershwin, or somebody that uses eloquent music terms.
AL KOOPER

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Every now and then we could steal somebody else’s stuff.
AL KOOPER

Now Somebody Steal Stuff Then

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