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There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work.

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Beauty Believe Call Cinematic Express Film might Moving People Something

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

I believe this is what the medieval Noh playwright and theorist Zeami meant by ‘watching with a detached gaze.’
AKIRA KUROSAWA

Believe Detach Gaze Meant Medieval Playwright Theory Warch
Take me, subtract movies, and you get zero.
AKIRA KUROSAWA

Movie Substact Take Zero
Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into.
AKIRA KUROSAWA

Adding Dangerous Descriptive Explanation Fall Into Most Passage Screenplay Tray
When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with.
AKIRA KUROSAWA

Always Begin Film Germinate Idea Number Project Sprout Start Take Work Writing
I am not a special person, I am not especially strong; I am not especially gifted.
AKIRA KUROSAWA

Especially Gift Hate Special Strong
I suppose all of my films have a common theme. If I think about it, though, the only theme I can think of is really a question: Why can’t people be happier together?
AKIRA KUROSAWA

Common Film People Suppose Theme Think Together
Although human beings are incapable of talking about themselves with total honesty, it is much harder to avoid the truth while pretending to be other people.
AKIRA KUROSAWA

Although Being Honesty Incapable People Pretend Talking Themselves Total Truth
By doing this I sense instantly when something isn’t right. Watching something does not mean fixing your gaze on it, but being aware of it in a natural way.
AKIRA KUROSAWA

Aware Being Fix Instantly Nature Right Sense Something Watch Way
A truly good movie is enjoyable too. There’s nothing complicated about it.
AKIRA KUROSAWA

Complicated Enjoyable Film Good Most Movie One Wrote
The films an audience really enjoys are the ones that were enjoyable in the making.
AKIRA KUROSAWA

Alive Audience Done Film Heart Idea Number Project
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film.
AKIRA KUROSAWA

Bad Director Expression Film Fire Good Masterpiece Mediocre Passable Producer Real Same Script
I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
AKIRA KUROSAWA

Attain Believe Filmmaker First Hope Inspire Make People Place Quality Quantity
They often reveal much about themselves in a very straightforward way. I am certain that I did. There is nothing that says more about its creator than the work itself.
AKIRA KUROSAWA

Certain Creator Itself Nothing Often Reveal Straightforward Themselves World
I’ve been able to work for so long because I think next time, I’ll make something good.
AKIRA KUROSAWA

Able Good Long Next So Something Time Work
In order to find reality, each must search for his own universe, look for the details that contribute to this reality7 that one feels under the surface of things.
AKIRA KUROSAWA

Artist Contribute Detail Each Mean Must Order Own Reality Search Universe
If I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’
AKIRA KUROSAWA

Anything Movie Nothing Result Talk Turn Writing Zero

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