I can’t have composite characters. I can’t attribute dialogue to someone based simply on my memory and not based on notes taken at the time that the words were spoken.
AKHIL SHARMAI can guide them to books that will serve as role models. Largely, though, one learns to write almost like developing muscle memory, and this requires years of effort.
More Akhil Sharma Quotes
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If anybody reads an Indian newspaper, all these things are obvious, and so I am not breaking news. All I am doing is representing my community as it actually is.
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Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money.
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We all become afraid. We all look at others and think these other people are more fortunate than us.
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While a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.
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Also, I have to assume that readers are sophisticated enough to know that not every person in a community is the same, and so there are many people who would not force an abortion just because a fetus is female.
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For me, a memoir is nonfiction and nonfiction has to be absolutely true.
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It is hard to create a first-person narrator that can be a child and yet is able to take in enough information for the narrative to be legible to the reader.
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There are also so many emotional aspects to money – feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
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I tend to think that we are all pretty much alike. We all feel despair. We all have problems with relationships.
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I need to tell the things that are important but which don’t make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.
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The little babies are missing their families from their past lives.
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The babies have old souls and the old souls have to shrink to become little babies.
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Sandeep Jauhar gives us an insider’s look at the medical profession and also a dramatic account of the psychological challenges of early adulthood.
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As a human being living one’s life, one is more open to relief when there is rain or the expectation of rain. That readiness for hope gets manifested in my stories and that of many other Indian writers.
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People often need to describe things quickly and so they use a shorthand. The problem is that after they use a label, they begin to think only in terms of the label instead of the totality of the experience a novel provides.
AKHIL SHARMA