If you look at everything straight on, there is nothing to be afraid of.
AKIRA KUROSAWAI believe this is what the medieval Noh playwright and theorist Zeami meant by ‘watching with a detached gaze.’
More Akira Kurosawa Quotes
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A film made in this spirit reveals the hearts of the crew.
AKIRA KUROSAWA -
If I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’
AKIRA KUROSAWA -
That is what makes a real movie. The script must be something that has the power to do this.
AKIRA KUROSAWA -
but ignorance is a kind of insanity in the human animal. People who delight in torturing defenseless children or tiny creatures are in reality insane.
AKIRA KUROSAWA -
Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages.
AKIRA KUROSAWA -
When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with.
AKIRA KUROSAWA -
In order to find reality, each must search for his own universe, look for the details that contribute to this reality7 that one feels under the surface of things.
AKIRA KUROSAWA -
It is the power of memory that gives rise to the power of imagination.
AKIRA KUROSAWA -
I have no idea who the characters are, later, their personalities take over anything I might want to do.
AKIRA KUROSAWA -
What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.
AKIRA KUROSAWA -
The role of the artist is to not look away.
AKIRA KUROSAWA -
In a mad world only the mad are sane.
AKIRA KUROSAWA -
To be an artist means to search, to find and look at these realities. To be an artist means never to look away.
AKIRA KUROSAWA -
Although human beings are incapable of talking about themselves with total honesty, it is much harder to avoid the truth while pretending to be other people.
AKIRA KUROSAWA -
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work.
AKIRA KUROSAWA